A Quote by Walter Matthau

I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I mean, people don't know what race I am. They never know if I'm Hawaiian or Italian or Mexican or Spanish or white. I could play Jewish, I could play anything.
I am a frustrated saxophone player. If I could, I would abandon all of my books, and I would trade it all if I could play the way people I admire play.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
Game Over is a very frustrating game convention. In short, it means, 'If you were not good enough or did not play the game the way the designer intended you to play, you should play again until you do it right.' What kind of story could a writer tell where the characters could play the same scene ten times until the outcome is right?
The competition has improved tremendously. In 2003, I could teach a guy how to play poker in an hour and he could win some money. Today, it would take days. The game has gotten so much tougher. So I will spend my time with my family and play when I can.
I liked the 12-bar blues because everybody could play it, but they could also play it their own way, and they could express their own emotions using that as a structure.
Well, hardcore is so much about the body, in that you have to play as fast as possible. I'm not sure it can be ironized. You can't play faster, though I suppose that with the help of electronics you could play faster. Yeah, if you sped it up, that could ironize it.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
I think every actor wants to play those big parts. In the very first play I ever did, I remember understanding all the characters in it. I always felt I could play anyone.
I don't play basketball for the money. I don't play it for the crowd. When I didn't have a friend, when I was lonely, I always knew I could grab that orange pill and go hoop. I could go and dunk on somebody. If things weren't going right, I could make a basket and feel better.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
Growing up, I played every sport I could play, so I didn't have much time, but when I wasn't playing sports, I was definitely playing video games. But my mom used to tell me that I could only play video games for two hours a day and then they would turn off the Internet so I couldn't play online.
As I've gotten older, the parts have diminished. I liked it when I was younger, I could always play the lead in the movie and I could do all the romantic scenes with the women, and it was fun and I liked to play that. Now, I'm older and I'm reduced to playing the backstage doorman or the uncle or something. I don't really love that so occasionally, when a part comes up, I'll play it.
People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.
I know when I left the game, I could have played more. There is no question. I think I could have played at a very high level, too. But I could not play the way everyone wanted me to play. And I was not willing to compromise what I felt was a standard that I had established in this league and, particularly, for our fans at home.
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