A Quote by Walter Matthau

I can relate to anything. I once played Macbeth. I got a lot of laughs, so I quit. — © Walter Matthau
I can relate to anything. I once played Macbeth. I got a lot of laughs, so I quit.
I've never ever read a script. I really must read Macbeth, because I was in it once. I got a lot of laughs in that, I can tell you.
I want to be evil! I did play Lady Macbeth on stage to Alec Baldwin's Macbeth back in New York in 1998. But I've played a lot of characters who are so righteous and understanding. I don't want to be a goody-goody two-shoes all the time.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
My mom was like, 'You talk so much. You have too much energy. Why don't you just join the play or something?' It was a comedy, and I got laughs in rehearsal, but onstage, in front of a whole audience, I got a lot of laughs.
You know you're on stage being the life of the party and trying to get laughs, and then, in a lot of ways, you don't have anything to give once you give it to the people.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.
I played a lot of pubs, and some were a bit rougher than others, but once you got on, it was the same reception everywhere.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
I once took a ride to the beach in L.A., and all along the shore there were all these so-called jazz places. And I saw these college guys and session players playing this fusion Muzak stuff. It was just a lot of notes, and the more notes they played, the more it kept them from expressing anything. So I came back home and got out my Zeppelin albums.
I have played a lot games, worked with a lot of these players and learnt an awful lot. I've got the knowledge and leadership qualities. So, its normal that under these circumstances that I got into coaching. I'm learning an awful lot.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
My friend is an idiot. He smokes three packs of cigarettes a day. He won't quit, either. His big excuse is, "Why should I quit smoking? Anything could kill me. I could be walking down the street one day and i could be hit by a bus." Maybe if you quit smoking you could cross the street a hell of a lot faster.
When I was seven years old I played the flute, then by 11 I quit being a musician and got into Djing.
When I first started, it was a dare. Someone basically said, 'You're a tough guy... but I'll bet you won't get on a microphone in front of a bunch of people.' I was terrified, but I did it. Once I broke the ice and got onstage and got some laughs, I thought, 'That's not so bad.'
See my father knew a lot about music, he played the piano and he would do theory and stuff like that, but I didn't learn anything from him, but I played that for him and he liked it a lot.
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