A Quote by Walter Matthau
Sometimes it takes me six months before I find out what a line means, even if the writing is superficial... To do a play right, really, I'd like to take two years of rehearsal. You study the character by living with him.
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The habits of a lifetime when everything else had to come before writing are not easily broken, even when circumstances now often make it possible for writing to be first; habits of years - responses to others, distractibility, responsibility for daily matters - stay with you, mark you, become you. The cost of discontinuity (that pattern still imposed on women) is such a weight of things unsaid, an accumulation of material so great, that everything starts up something else in me; what should take weeks take me sometimes months to write; what should take months, takes years.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
I met Ashley two weeks before I married him. It was a joke-the most ridiculous thing I've ever done. Once I was married, I didn't want to be a failure, so I stuck it out for six months, which was about six months too long.
If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
Like a lot of us, sometimes I'm preaching to the choir, and sometimes my voice doesn't even get heard at all. Sometimes I think that what I'm writing now might not even have an impact for the next three or four generations. Sometimes I sit there and write, and I think, "It'll be two hundred years before they get what I'm writing about."
Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
Plays are a pretty big commitment. It takes a minimum of three months out of your life, really. And if you have family or kids, then at least during the rehearsal period for five or six weeks, you kind of say goodbye to everybody.
I need six weeks of rehearsal and women need nine months and it took me 15 years to figure that out.
I need six weeks of rehearsal and women need nine months and it took me 15 years to figure that out
The bottom line is that every single member of Congress has to get voted into office every two or six years. That means they need to look really good in their home district and state. That means good local press. That means people in their district thinking, "Man, I really don't like Congress, but I like Senator Bob."
I was once being interviewed by Barbara Walters. In between two of the segments she asked me: "But what would you do if the doctor gave you only six months to live?" I said, "Type faster." This was widely quoted, but the "six months" was changed to "six minutes," which bothered me. It's "six months."
If you sue somebody it takes two years, three years, and your anger just gets lost in between. And even if you win or lose the trial, it takes such a long time. If you want to really take a personal revenge, you'd better do it by yourself and at the right time.
(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.
If you let go of me now,” I whispered, stretching against him, “it could be another six hundred years before you find me again. Are you willing to take that risk?
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