A Quote by Walter Moers

Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists. — © Walter Moers
Anyone can write. Some people can write a bit better than others; they're called authors. Then there are some who can write better than authors; they're called artists.
Do not write to impress others. Authors who write to impress people have difficulty remaining true to themselves. A better path is to write what pleases you and pray that there are others like you. Your first and most important reader is you. If you write a book that pleases you, at least you know one person will like it.
Professors will lecture with more inspiration if they occasionally alternate the classroom with the beach: authors will write better when, as Macaulay used to do, they write for two hours, then pitch quoits, and then go back to their writing. But certainly more than the mere mechanical alternation is involved.
Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time.
A.J. Liebling, one of my heroes, used to say that he could write better than anyone who wrote faster, and faster than anyone who could write better. I'm one nine-hundredth as good as Liebling, but that principle may slightly apply.
When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.
I can write better than anyone who can write faster.
Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.
It's scary when you get to a point where you write these songs that people like, and then you think, "Am I ever going to be able to write something better than that?"
If the rewards to authors go down, simple economics says there will be fewer authors. It's not that people won't burn with the passion to write. The number of people wanting to be novelists is probably not going to decline - but certainly the number of people who are going to be able to make a living as authors is going to dramatically decrease.
Book writing is not a get-rich-quick scheme. Anyone who decides to write a book must expect to invest a lot of time and effort without any guarantee of success. Books do not write themselves and they do not sell themselves. Authors write and promote their books.
If anyone e-mails you something "by George Carlin," there's a 99 percent chance I did not write it. I didn't write "Paradox Of Our Time." I didn't write "George Carlin On Aging." I didn't write a eulogy for my wife after she died. I didn't write the New Orleans thing. I didn't write "I Am A Bad American." None of them. You know what I've decided to do? I'm going to get a little cheap put-it-together-yourself website called NotMe.com.
MCs are authors, and rock musicians who write lyrics are authors, to a degree.
The best I can say is that it's better for me to write about despair and darkness than to be incapable of getting off the sofa. It's better to write about suicide than to contemplate it too heavily.
Never think, because you cannot write a letter easily, that it is better not to write at all. The most awkward note imaginable is better than none.
There's a lot of young authors out there, and people do seem to forget: in order to write well, you do need to have some experience.
It's so much easier to write for a person in your life than to write for some imagined readership, so you write something that's more intimate and true.
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