A Quote by Walter Mosley

The first thing you have to know about writing is that it is something you must do every day - every morning or every night, whatever time it is that you have. Ideally, the time you decide on is also the time when you do your best work.
Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
Every day, I wake the kids up. Morning time is kind of 'daddy time,' and that's something I look forward to every day.
As for my schedule, I tend to go to bed at the same time every night and get up at the same time every morning, and I try to be as productive as possible. Some days, I can devote to one specific thing. Other days, it's a catch-all day.
It's what you do every time. You isolate what you know, and you create a mental image of what you're doing. Every time you speak you don't have to think about it. Words come out of your mouth based on what you know. That's the same job every time.
Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.
Imagine you had a bank that each morning credited your account with $1,440 - with one condition: whatever part of the $1,440 you failed to use during the day would be erased from your account, and no balance would be carried over. What would you do? You'd draw out every cent every day and use it to your best advantage. Well, you do have such a bank, and its name is time. Every morning, this bank credits you with 1,440 minutes. And it writes off as forever lost whatever portion you have failed to invest to good purpose.
We name time when we say: every thing has its time. This means: everything which actually is, every being comes and goes at the right time and remains for a time during the time allotted to it. Every thing has its time.
I have a two-year-old at home, and my whole life is - besides revolved around keeping this little person alive, just watching them on the stairs and eating food and everything of every minute of every day - you plan what time you're going to bed so that you can be your best self first thing in the morning.
I think it's dangerous to have lots of time on your hands as a writer. Time to pursue every little alleyway, to follow every single whim. I feel I've done my best writing when I'm stretched for time, when you're most pressured.
Every time you log in to Facebook, every time you click on your News Feed, every time you Like a photo, every time you send anything via Messenger, you add another data point to the galaxy they already have regarding you and your behavior.
Renew your intention EVERY day, EVERY time you pray, and EVERY time you are about to do a good deed or else shaytan will lead your heart and mind astray.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.
That's the thing that I've always kind of kept in the back of my head in writing about teens, that everything is so important, all the time, every day. Every day of your life, you're changing and making decisions and everything is an emergency to you.
I set myself challenges every time I work. Ideally I approach everything as though it's the first time - with a beginner's mind and an amateur's love.
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