A Quote by Walter Mosley
HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall.'
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HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall'.
I'm going to start work on developing a series for HBO, because I'm naturally given to episodic stories of considerable length. And I won't have to listen to complaints about how wordy and long my work is if you can watch it on your telephone on the subway: You can make it conform to your day as if it were a book.
I would also suggest that any aspiring writer begin with short stories. These days, I meet far too many young writers who try to start off with a novel right off, or a trilogy, or even a nine-book series. That's like starting in at rock climbing by tackling Mt. Everest. Short stories help you learn your craft.
I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.
I lose patience with long stories. I get people who go, "Crumb, do some long stories, do a graphic novel." Novel-schmovel.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
The first television show I did was a production called 'The Pacific,' which was this huge HBO series with an insane budget and 300 extras and a crew of 150. We were filming out in the middle of the wilderness in my hometown. I was so green. I didn't understand anything that was happening.
I'm a people pleaser by nature, and I want to make everybody happy. But at the same time, it's not fulfilling to make everybody happy. What's fulfilling is to stand for something that's right. Now that doesn't mean you're going to be perfect. We're going to fall and we're going to mess up every day, but we can at least try to stand for something. When you stand for something, then you won't fall for everything else around you.
On its surface, the HBO documentary series 'Hard Knocks,' about the New York Jets' training camp, resembles another HBO series, 'The Sopranos.' Both star the stout patriarch of a New Jersey 'family' preoccupied with food, intimidation, and florid profanity.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
Television has changed. There's obviously the generic shows, but on HBO and AMC, there are some really great series, so I'm not closed off to television. If there's an amazing role with amazing people and a great story, I'd definitely be open to it.
Babylon 5 is probably the biggest, most ambitious television science fiction series ever made. It's one big novel told over five years with 110 different stories told within it.
Fall is my favorite my time of the year. I love it. I'll try and make it back to Vancouver a bunch. I love going back home for that. Everything turns orange. You start to get out of summer, start making your way into the winter, everyone is wearing jackets. Vancouver lights up in the fall, so I definitely go back there for a bit.
Sometimes you have to wait for the right deal. They all seem good, at least at first, and they may make you some quick money. But when the right deal comes, and it fits into your [overall] plan, it's just overwhelming success. Sometimes, with the long-term deals, you have to take a risk if you're going to get a reward. It's exactly like fighting. Sometimes you have to take chances to get that huge win.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
Every first thing is always a miracle. The first person you fall in love with. The first letter you receive. The first stone you throw. And in my conception of the novel, the letter becomes important. But what's more important is the fact that we need to continue to tell each other stories.
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