A Quote by Walter Mosley
My father cared about the world he lived in, and so he admitted his confusion about his place in America because he didn't want me to make the same mistake in my life.
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My father took one of the toughest jobs in the government because he cared about his nation more than himself. His courage and conviction have always driven me to want to make a difference.
The biggest mistake coaches make is taking borderline cases and trying to save them. I'm not talking about grades now, I'm talking about character. I want to know before a boy enrolls about his home life, and what his parents want him to be.
My father always wanted to be 'Col-bear.' He lived in the same town as his father, and his father didn't like the idea of the name with the French pronunciation. So my father said to us, 'Do what you want. You're not going to offend anybody.' And he was dead long before I made my decision.
I have a lot of rage about things that didn't happen to me, tied up with watching an immigrant, working-class father struggle to make his way through the world - and seeing how society was modeled to keep him in his place.
Jesus is the prime exemplar of life in God's presence. He lived out of an awareness of the identity God had given him, not the identity the world wanted to give him; he led an active, ongoing prayer life; he took time apart from the world to be with his Father; he made his Father's agenda his agenda; he made his Father's love for people evident in tangible ways; and so on. These are all characteristics that we should emulate in our lives.
I had a cheat sheet because I knew Tarell [Alvin McCraney]. His movie is largely autobiographical. I knew about certain events in his life and some of the people he talks about. I had visited the place where he lived many times so I understood innately what that was.
Strange story about Degas. He hated women, didn't want to be with them. Yet he spent much of his life painting them. He had seen his father maltreat his mother, must have had a deep fear that he'd do the same thing.
'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
My daddy thought - no, he expected - that my brothers and I and our generation would make the world a better place. He was correct in his belief because he had lived in an America of continual social progress, depression followed by prosperity, segregation by integration, and so on.
My father always taught by telling stories about his experiences. His lessons were about morality and art and what insects and birds and human beings had in common. He told me what it meant to be a man and to be a Black man. He taught me about love and responsibility, about beauty, and how to make gumbo.
The reason there is no noblesse oblige about Dubya is because he doesn't admit to himself or anyone else that he owes his entire life to being named George W. Bush. He didn't just get a head start by being his father's son - it remained the single most salient fact about him for most of his life.
Rattigan's world demanded unwavering trust in principles, loyalty, and virtue. At the time of this play - Rattigan was writing this play in 1947 about an incident that took place in 1914 - should a boy say he didn't do something, his father would believe him; a British father would take the defense of his son's honor to his grave.
I want people to know that LeCrae the person is a Christian. Just because you put a tag on me or my music that doesn't make me or the music more or less of a Christian. I'd hope the legacy that I'd leave that people say... No, he's not a Christian because he said he was or because his stuff was labeled that. He's a Christian because he lived it! And when you know him and you know his life this is someone whose life is marked by Jesus.
I always look for a story that hasn't been told in the same way. I don't care about a lot of the usual elements people use for a quick drama boost. I want to know, for example, what happens when a man who was victimized by his father tries to be a father to a woman sixty years his senior.
Just as a person is commanded to honor and revere his father, so he is under an obligation to honor and revere his teacher, even to a greater extent than his father; for his father gave him life in this world, while his teacher instructs him in wisdom, secures for him life in the world to come.
When our Lord says, 'I have not spoken of Myself' (Jn. 12:49), and again, 'As the Father said to Me, so I speak' (Jn. 12:50), and 'The word which you hear is not mine, but the Father's Who sent Me' (Jn. 14:24), and in another place, 'As the Father commanded Me, even so I do' (Jn. 14:31), it is not because He lacks deliberate purpose or power of initiative, nor yet because He has to wait for the preconcerted key-note, that He employs language of this kind. His object is to make it plain that His own will is connected in indissoluble union with the Father.
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