A Quote by Walter Raleigh

A wandering minstrel I A thing of shreds and patches Of ballads, songs and snatches And dreamy lullaby! — © Walter Raleigh
A wandering minstrel I A thing of shreds and patches Of ballads, songs and snatches And dreamy lullaby!
I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing ofrags and patches, of ballads, songs and snatches.
I subscribe to that school of thespian - to be a wandering minstrel or traveling player, a thing of rags and patches, of ballads, songs and snatches.
Man is physical as well as metaphysical, a thing of shreds and patches, borrowed unequally from good and bad ancestors, and a misfit from the start.
There was a time in medieval England when they had wandering minstrels ... A wandering minstrel would have been Frank Sinatra's counterpart had he lived during the time of Henry II in 1190 or 1180.
I am a troubadour, a wandering minstrel.
Thus the whole country was broken into many shreds and patches of sovereignty.
Here is the world, sound as a nut, perfect, not the smallest piece of chaos left, never a stitch nor an end, not a mark of haste, or botching, or second thought; but the theory of the world is a thing of shreds and patches.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.
Much may be done in those little shreds and patches of time which every day produces, and which most men throw away.
If you care to define the South as a poor, rural region with lousy race relations, that South survives only in geographical shreds and patches and most Southerners don't live there any more.
Your roots, your family, your friends all become so much more important to you as you get older, especially if you are a wandering minstrel like me.
One of my earliest inspirations was the 'Allan-a-Dale' character played by Elton Hayes in the 1954 movie 'The Story Of Robin Hood And His Merrie Men.' He was a wandering minstrel with his guitar.
I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.
When you are in your twenties, even if you're confused and uncertain about your aims and purposes, you have a strong sense of what life itself is, and of what you in life are, and might become. Later.. later there is more uncertainty, more overlapping, more backtracking, more false memories. Back then, you can remember your short life in its entirety. Later, the memory becomes a thing of shreds and patches.
Melodies are far more interesting. They are there, in your face, in certain sections of the songs. People do complain about the melody thing, but we do hit patches of melody and beauty, as well as the other stuff.
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