A Quote by Walter Russell
I learned to cross the threshold of my studio with reverence, as though I were entering a shrine set apart for me to become co-creator with the Universal Thinker of all things.
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You will always be criticized and teased and bullied for things that make you different, but usually those things will be what set you apart. The things that set you apart from the pack, the things that you once thought were your weaknesses will someday become your strengths.
Most of the world's great souls have been lonely. Loneliness seems to be one price the saint must pay for his saintliness... Always remember: you cannot carry a cross in company. Though a man were surrounded by a vast crowd, his cross is his alone and his carrying of it marks him as a man apart. Society has turned against him; otherwise he would have no cross. No one is a friend to the man with a cross.
I was just finishing high school and entering college in 1988, when the Creator's Bill of Rights was drafted, and had already set my sights on building a career as a writer of comics. Discovering the Creator's Bill of Rights - in an issue of 'The Comics Journal,' if I'm not mistaken - I accepted it as gospel.
Eight years ago, if I wanted to do a YouTube video, I broke out my camera and filmed everything myself and learned how to edit and kind of become a one-woman studio. But we're living in an era now, thanks to ICON, where any creator who is online, they can create in their own space.
At the moment that we persuade a child, any child, to cross that threshold, that magic threshold into a library, we change their lives forever, for the better
How can the unknown merit reverence? In other words how can you revere that of which you are ignorant? At the same time, it would be ridiculous to propose that what we know merits reverence. What we know merits any one of a number of things, but it stands to reason reverence isn't one of them. In other words, apart from the known and the unknown, what else is there?
The Negro and all things negroid had become a fad, and Harlem had become a shrine to which feverish pilgrimages were in order . . . Seventh Avenue was the gorge into which Harlem cliff dwellers crowded to promenade.
Our film society back home is so different from here. Making a movie is universal. Directing a movie is universal; it's a universal language. It's just figuring things out and understanding the codes and how the system of Hollywood compares to that of Norway. We don't even have agents. There's no studio system, no managers.
This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists.
Many people have thought of me as a thinker, as a philosopher, or even as a mystic. Well the truth is that though I have found reality perplexing enough - in fact, I find it gets more perplexing all the time - I never think of myself as a thinker.
It's so important to be thankful and grateful for any and every opportunity that we have, especially in this business. I learned some wonderful things there. I learned that it doesn't matter how tired you are, you always hang up your wardrobe. That was a wonderful place for me. I would sit in my dressing room and stuff envelopes with my wedding invitations. That place has a real reverence for me.
Live your life as though your every act were to become a universal law.
I'm the youngest of four boys, and my oldest brother, Todd, was like a father figure to me. We were very close even though we were 23 years apart. When my parents were working, he was the one there for me. He was diagnosed with lung cancer when he was 15 years old.
In South Pasadena, artists were around but invisible somehow. Even though it was just a fifteen-minute drive from Downtown LA, it felt worlds apart. That suburban American experience can both protect and stunt you. I couldn't wait to move to New York to become the person I've always wanted to become.
It never gets boring for me because there's so many different things to explore in the studio. The studio's become the sanctuary that people have come in and found new things out about themselves, as weird as that sounds. But it's true, I'm no different. I've made some crazy hard records, and I've made a jazz album.
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