A Quote by Walter Savage Landor

I sometimes think that the most plaintive ditty has brought a fuller joy and of longer duration to its composer that the conquest of Persia to the Macedonian. — © Walter Savage Landor
I sometimes think that the most plaintive ditty has brought a fuller joy and of longer duration to its composer that the conquest of Persia to the Macedonian.
When I'm writing a play I hear it like music. I use the same indications that a composer does for duration. There's a difference, I tell my students, between a semi-colon and a period. A difference in duration. And we have all these wonderful things, we use commas and underlining and all the wonderful punctuation things we can use in the same way a composer uses them in music. And we can indicate, as specifically as a composer, the way we want our piece to sound.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
Persia is very different from the Arab Middle East in terms of architecture and language. Even though we think of them as one big Middle Eastern area, in truth, Persia's quite distinct.
To joy in conquest is to joy in the loss of human life.
When I first went to Georgia Championship Wrestling, the promoter at the time Jim Barnett brought in Robert Fuller, who later became Colonel Rob Parker in WCW, as the booker. Everybody has their own style and way of doing things, and I was just not impressed with Robert Fuller. As a booker. As a talent he was fine.
Scientists have discovered that, as we age, our brains act like computers with fuller and fuller hard drives. So when we're trying to recall a fact or a word or a name, it takes us longer, because - to put it scientifically - our brains hold a lot of 'stuff.'
Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.
It is always interesting and sometimes even important to have intimate knowledge of a composer's life, but it is not essential in order to understand the composer's works.
Who I love reading is Jordan Mechner, who wrote 'Prince of Persia.' He put all his journals while he was writing 'Prince of Persia' online.
Discontents are sometimes the better part of our life. I know not well which is the most useful; joy I may choose for pleasure, but adversities are the best for profit; and sometimes those do so far help me, as I should, without them, want much of the joy I have.
When you think about a composer you know like Wagner or Pier Boulez or something like that most of the issues a composer is working with are about discreet, notated music that someone else will play.
My pieces usually are programmed on concerts in which the other works are standard repertoire. My music always sounds very different when it's on a concert of all contemporary music. It always seems to stick out at an odd angle. This also makes me think of a question I sometimes debate with my friends: does the music of a composer directly reflect that composer's personality? This is a difficult one, but I think it usually does.
Mozart for me is the No. 1 composer. His music is not just joy or sadness. It's deep emotion with a touch of lightness, which is the most difficult thing to do.
As touching peaches in general, the very name in Latine whereby they are called Persica, doth evidently show that they were brought out of Persia first.
You will be most remembered-by what brought you most joy.
The Aegean sea washes Greece on two sides: first, the side that faces towards the east and stretches from Sunium, towards the north as far as the Thermaean Gulf and Thessaloniceia, a Macedonian city...; and secondly, the side that faces towards the south, I mean the Macedonian country, extending from Thessaloniceia as far as the Strymon.
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