A Quote by Walter Savage Landor
Two evils, of almost equal weight, may befall the man of erudition; never to be listened to, and to be listened to always.
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Jay Z and Biggie and Nas always listened to my direction. They listened and they applied it and I also listened to their opinions and that's why the records came out so good.
I never really thought I was going to be a singer, honestly. I never listened to singers; I always listened to rap music.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
I've always been a fan of music. I listened to a whole lot of oldies - I never really listened to rap music that much.
Man, I listened Nas and B.I.G growing up. I listened to both of them when I was younger for sure.
Wherever you're from, you adapt to your environment. It definitely made my music a little bit more explicit. Because I really was in North Philly, I listened to State Property and stuff. Everything my dad listened to, I listened to.
I'd listened to [Ornette Coleman] all kinds of ways. I listened to him high and I listened to him cold sober. I even played with him. I think he's jiving baby.
I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.
I was into punk rock my whole life. I never listened to the Eagles. I never listened to things that were getting Grammys. So getting a Grammy nomination wasn't bad, it just wasn't meaningful.
I recently realized that Television has influenced a lot of English bands. Echo and the Bunnymen, U2, Teardrop Explodes - it's obvious what they've listened to and what they're going for. When I was sixteen I listened to Yardbirds records and thought, "God, this is great." It's gratifying to think that people listened to Television albums and felt the same.
I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears.
I am always impressed by the fact that even the tiniest amount of being listened to, the barest suggestion of the possibility of kind treatment, can bring such an immediate rush of emotion. I think this is because we are almost never really listened to. In my work as a psychologist, I am reminded every day of how infrequently we are heard, any of us, or our actions even marginally understood. And one of the ironies of my "listening profession" is its lesson that, in many ways, each of us ultimately remains a mystery to everyone else.
My dad and uncles listened to a lot of rap. My dad is a big fan of LL Cool J. Driving in the car with him, we'd listen to Jay-Z and Nas. My sister listened to a lot of No Limit, so I listened to Master P. and Cash Money - Lil Wayne and Juvenile. They had jewelry and nice cars. I was drawn to them.
I listened to classical music. I listened to jazz. I listened to everything. And I started becoming interested in the sounds of jazz. And I went to a concert of Jazz at the Philharmonic when we lived in Omaha, Nebraska, and I saw Charlie Parker play and Billie Holiday sing and Lester Young play, and that did it. I said, 'That's what I want to do.'
I didn't have musical upbringing. I never listened to music growing up, thinking "I want to make my own music". I just listened to music for pleasure.
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