A Quote by Walter Savage Landor
When we play the fool, how wideThe theatre expands! beside,How long the audience sits before us!How many prompters! what a chorus!
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How long the night to the watchman, How long the road to the weary traveller, How long the wandering of many lives To the fool who misses the way.
The magic of theatre is how much can you stimulate the mind of the audience, not how many illusions you can create.
How many times have I failed before? How many times have I stood here like this, in front of my own image, in front of my own person, trying to convince him not to be scared, to go on, to get out of this rut? How many times before I finally convince myself, how many private, erasable deaths will I need to die, how may self-murders is it going to take, how many times will I have to destroy myself before I learn, before I understand?
Time comes to us softly, slowly. It sits beside us for a while. Then, long before we are ready, it moves on.
Let us candidly confess our indebtedness to the needle. How many hours of sorrow has it softened, how many bitter irritations calmed, how many confused thoughts reduced to order, how many life-plans sketched in purple!
The audience will teach you how to act and the audience will teach you how to write and to direct. The classroom will teach you how to obey, and obedience in the theatre will get you nowhere. It’s a soothing falsity.
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
How many roads must a man walk down, Before you call him a man? How many seas must a white dove sail, Before she sleeps in the sand? Yes, and how many times must the cannon balls fly, Before they're forever banned?
See the minutes, how they run,
How many make the hour full complete;
How many hours bring about the day;
How many days will finish up the year;
How many years a mortal man may live.
I believe that no matter how many mistakes we?ve made; how badly we?ve really, really screwed up; how old, worn out, or dejected we?ve become; as long as there is true, steadfast ambition, all of us have an opportunity for greatness.
Culture and society determined sexual desirability as what makes us important so long that it's part of our sensibility from birth.Little girls know. From around 2 or 3, the pretty ones already know how and why they get attention. And how quickly they learn to play it. Use it. And how quickly the rest of us figure out we don't have it.
The most real characters in a great play are those who are so meticulously drawn that the audience could predict how many pairs of shoes they might have in their closet or how many close friends they had in grade school. Have any of our public figures been as fully developed in the media?
How many years and how many pictures does it take to win the confidence of Paramount? How many years before my fellow workers say, 'I know he is doing his best?'
The internet has created a transnational audience. If you publish something in the New York Times, it's read all over the world. Who knows how big this audience is or how long it will last.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
I don't think about how many times how many heroines have said 'I love you' to how many heroes on screen and that I am also doing the same. It is how differently I can say the same thing in my own style or how I can bring a new element into it.
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