A Quote by Walter Ulbricht
In the past, people worked together only when some great disaster threatened.
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I was determined to get it right on the pitch. Then, if I had to leave at the end of the season, so be it. I never felt threatened or isolated by the arrangement. We worked together and it worked out.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
I make it a priority to keep in touch with people with whom I've worked in the past. And I'm fortunate, because I've worked with some terrific folks.
You do have this circumstance in Karachi that because people know things are changing, the stakes are higher. Everyone is thinking, "My home is threatened, my job is threatened, my identity is threatened, my world is threatened." And that creates a very particular sort of climate, that is linked.
People are only mean when they're threatened… and that's what our culture does. That's what our economy does. Even people who have jobs in our economy are threatened, because they worry about losing them. And when you get threatened, you start looking out only for yourself. You start making money a god. It is all part of this culture.
A nation is a body of people who have done great things together in the past and hope to do great things together in the future.
The gospel brings things together. One of the great demonstration of the gospel's power is reconciliation. I've got friends who are surfers, doctors, lawyers, artists and entertainers. Some people are cool and some people are geeky. I look around at my friends and I think, only the gospel has the power to put together a friendship like this.
The Democrats are threatened by self-reliant people, self-sufficient people. They're threatened by you being independently self-sufficient. Sanctuary cities? You might think that these people would love to offload some of the burden on their social services. You'd be dead wrong. This is how they define their worth. This is how they define their compassion, by forcing the taxpaying, working citizens of their communities to pay for all of this. That's how they get to run around and tell people how great they are.
I was approached by Neville Wakefield. I've known Neville for almost a decade, but we had never really worked together. We sort of threatened to work together on a number of other projects but never really did.
Not only do you need great lyrics, a great message, a great story, great vocals, great chords... you also need great instrumentation, great editing, great sonics, great mixing, and great mastering. It all comes together to make something truly great, and I think each element combines together to create a powerful impact on the consumer.
There are people who are really great musicians. I've met a lot of them. And I'm not a great musician. I'm adequate enough to be able to throw some chords together and write songs, but I can only feel that because I'm expressing something honestly, or in a heartfelt way, or in some way that's not bullshit, that in some way the songs have merit.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
People are only mean when they're threatened, and that's what our culture does...And when you get threatened, you start looking out only for yourself. You start making money a god. It is all part of this culture.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
I'm all for file sharing. That's great - as long as people are prepared for the significant consequences. One is that music will become completely couched in advertising. That's already happened. And another is that people should be prepared to have fun with the past because the only music that can possibly be free is the music that's from the past. It costs money to make music. And if people are prepared to only have the past to listen to, then let it be free.
Culture is being threatened when all worldly objects and things, produced by the present or the past, are treated as mere functions for the life process of society, as though they are there only to fulfill some need, and for this functionalization it is almost irrelevant whether the needs in question are of a high or a low order.
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