I have a bit of a bucolic kind of upbringing, and so I certainly bring an amalgamation of different people that I've met over the course of my life, especially before moving to Los Angeles, so I guess my childhood was my homework in a lot of ways for Harlan County.
I have a special place in my heart for New York City. I spent my early childhood there before moving to Los Angeles.
I went to Los Angeles and enrolled in a production course at the University of California, Los Angeles. In the morning I attended industry meetings and in the evening, I would go for the course.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
My commitment is to Los Angeles, so whatever helps this continue to be a great city, that's what I would be focused to do, and the Dodgers are certainly iconic to Los Angeles.
Los Angeles, the sun shines a lot, and it's blue, and there's palm trees; it's a bit like Sydney, I guess, but the underbelly is a vicious, mean, cruel, awful place.
The Olympics have been an amazing part of Los Angeles' history. In many ways in 1932, they put us on the map when people didn't even know where Los Angeles was. In 1984, they were the first profitable Olympics of the modern era.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
New York reminds me a little bit of Canada and my upbringing. Los Angeles is like living in a vacation, and you have to pinch yourself every once and a while.
What we've established (in San Diego) with my growing family is hard to re-create. It's hard to up and re-create that. I know that moves are part of life. But that certainty is fair to say that (not being sold on moving to Los Angeles) is part of it. The good thing is I'm not under contract in a year where we'd potentially be in Los Angeles.
Especially growing up in Los Angeles, there's just a very different mind-set than my own. There's no 'Romeo and Juliet' in Los Angeles. There's 'Laguna Beach.'
I grew up in Los Angeles and always wished I'd spent a childhood in a far different place.
I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.
When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.
When someone hears that I've written a book about 1897, I'm usually met with blank stares. And the first thing they say is, 'Was there even an L.A. back then?' A lot of people don't even think there was a city before the movies appeared. That concept of Los Angeles is so strong in the popular imagination that celebrity overrides everything.
I'm single. I just moved to a new city. I'm sort of starting over. I'm in Los Angeles. I don't really know what my life is right now. It's not what I thought it'd be at 37, and I think a lot of people can relate to that.
I grew up at this incredibly odd intersection in Los Angeles, where it felt like the black 'hood met black elegance met white gentrification met Latin culture met wetlands.