A Quote by Wamiqa Gabbi

Wamiqa means the goddess of wind; my dad is a poet and writer in Punjabi and Gabbi is his pseudonym. — © Wamiqa Gabbi
Wamiqa means the goddess of wind; my dad is a poet and writer in Punjabi and Gabbi is his pseudonym.
My dad was a Punjabi from Amritsar, and my mom is a Punjabi from Kashmir. My dad was a soldier in the Indian Army.
What a poem means is as much what it means to others as what it means to the author; and indeed, in the course of time a poet may become merely reader in respect to his own works, forgetting his original meaning.
My mom is a teacher, my dad was a writer for television, his dad was a writer for television, and combining those two has been sort of the goal of my life.
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.
I was born in the Bay Area because my dad was a semi-professional photographer and poet who was really into John Coltrane. He's had many lives. My dad's a capitalist to his bone, but he's also a human to his bone.
Wormholes were first introduced to the public over a century ago in a book written by an Oxford mathematician. Perhaps realizing that adults might frown on the idea of multiply connected spaces, he wrote the book under a pseudonym and wrote it for children. His name was Charles Dodgson, his pseudonym was Lewis Carroll, and the book was Through The Looking Glass.
I think it was W.H. Auden who said he was lucky that his first favorite poet was Thomas Hardy, who was a good but not a great poet, because if you are exposed to the greats too soon it can just squash you as a writer.
One of the advantages of having gone to Penn State was having had a scholar for a mentor - Philip Young. Also, a professional writer named Philip Klass taught there. He was a science fiction writer whose pseudonym was William Tenn. As a professional writer, he brought wisdom to teaching because he'd done it for a living.
The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
My dad's a photographer, and my sister is a writer and a poet. My little brother is a mandolin player - he's a bluegrass musician. It's always been a part of the family.
The powerful wind swept his hair away from his face; he leaned his chest into the wind, as if he stood on the deck of a ship heading into the wind, slicing through the waves of an ocean he’d not yet seen.
My dad was the baby. When he was born they were already successful. They sent him to business school - he probably would have loved to have been a poet or a writer or something, and he was very creative.
Leonard [Nimoy] was such a teacher for me. He was one of the most fully realized human beings I have ever known on every level - in his personal life with his personal relationships and his love for his wife and his evolution with his family. Then as an artist, as an actor, as a writer, as a poet, and as a photographer. He never stopped.
What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
To be a political poet means simply to be a poet, and any poet worth their salt will be a political animal in their own peculiar way - they have no choice: politics is one of the many fragments we thread into the tapestry of the poem.
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