A Quote by Wamiqa Gabbi

Stage phobia never touched me. I was naturally drawn towards the spotlight. — © Wamiqa Gabbi
Stage phobia never touched me. I was naturally drawn towards the spotlight.
I was not naturally meant to be on stage. I hated being in the spotlight; I was scared.
Shia phobia or Sunni phobia...we never hear about this. They murder each other!
To say that my dad pushed me is an understatement. I was never naturally drawn to football.
Being a creative person, I'm naturally drawn towards art of any kind. But I'm more attracted to paintings because they radiate an aura of their own.
The way people reacted to me in dressing rooms and so on was incredibly aggressive. They know every record and they seem to think they should nudge me or bump into me as they go past. It was this incredible performance that used to amuse me. In the early days, people were drawn towards us like they'd be drawn towards a car smash...There is a definite relationship between that fanaticism and the fan that, as a performer, you expose more of yourself, of the undercurrents of your personality. Most rock personalities subdue that or choose not to explore it.
Bibliotropic," Hugh said. "Like sunflowers are heliotropic, they naturally turn towards the sun. We naturally turn towards the bookshop.
I feel that the real drama of life is never center stage, it's always in the wings. It's never with the spotlight on, it's usually something that you don't expect at all.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
The world is my stage. I try to be good at it, whatever part I'm playing - even in my daily life or when the spotlight hits me on the stage to perform - I gotta be alive every second in this world. With or without the applause!
On stage the spotlight is on me and I cannot afford to be shy.
I find myself drawn to that period where children are about to leave childhood behind. When you're 12 years old, you still have one foot in childhood; the other is poised to enter a completely new stage of life. Your innocent understanding of the world moves towards something messier and more complicated, and once it does you can never go back.
I love the energy of children. It makes me feel young. I'm just drawn to them. They're like magic to me. And they're drawn to me, the childlike part of me that never did grow up.
I've never been much drawn towards satire of any kind.
I have a phobia. I have a serious phobia of rodents. I don't even like white mice, hamsters.
For some reason, I was drawn towards boxing. Or maybe boxing drew me towards it - because once I put those gloves on, after about six months, boxing was my life.
I've never trained anyone that I haven't known as a child. I knew Kirkland when he was 12. Every one of them I started training when they were kids. This is not about just the fight game for me. It is a sport for troubled children that are drawn to violence and that type of life. Boxing has that violence part in it, but it also has structure and dedication and the whole nine yards. You get that little bit of violence that you were drawn towards, but it can save a lot of kids.
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