A Quote by Wanderlei Silva

I've had more than 200 stitches, only in the area of the eyes. — © Wanderlei Silva
I've had more than 200 stitches, only in the area of the eyes.
I've had more than 200 stitches taken in my head.
To sew is to pray. Men don't understand this. They see the whole but they don't see the stitches. They don't see the speech of the creator in the work of the needle. We mend. We women turn things inside out and set things right. We salvage what we can of human garments and piece the rest into blankets. Sometimes our stitches stutter and slow. Only a woman's eyes can tell. Other times, the tension in the stitches might be too tight because of tears, but only we know what emotion went into the making. Only women can hear the prayer.
I remember in my very first fitting, costume designer Patricia Norris gave me a garment with these intricate stitches - stitches over stitches, because it had been repaired so many times. Once I put it on, she told me that it belonged to an actual slave woman. My heart just stopped. Each one of the stitches had a story, you know. Just recognizing this period I was going to be dancing with was a "come to Jesus" moment.
What? You can't knit in the dark? Stuff and nonsense; anybody can. Shut your eyes. Knit one stitch. Open your eyes and look at the stitch; it's all right. Shut your eyes and knit two stitches. Open them. Shut them. Knit three stitches. Falling off a log is no comparison.
There are some historians who say that democratic republics dont last more than 200 years. Well, weve got to show that you can last more than 200 years. Weve got to continue to sustain the system, and the only way you can do it is by sustaining the constitution and by confronting lies face to face, head on, aggressively.
The Territory has more than 200 trillion cubic feet of gas: potentially enough gas to power Australia for more than 200 years.
There can be no clearer indication of how undemocratic the way we finance campaigns is than the fact that only one-quarter of 1% donate $200 or more, and only one-tenth of 1% gives $1,000 or more.
Hurricane Katrina, coupled with Hurricane Rita, which came promptly on Katrina's heels, claimed more than 1,200 American lives. Together, they caused more than $200 billion in damage.
I have insecurities. But whatever I'm insecure about, I don't dissect it, but I'll go after it and say, "What am I afraid of?" I bet the average successful person can tell you they've failed so much more than they've had success. I've had far more failures than I've had successes. With every commercial I've gotten, there were 200 I didn't get. You have to go after what you're afraid of.
I moved to Madrid with 200 bucks in my pocket to see what was going to happen. Of course, I didn't know that 200 euros was nothing, because in Cuba, 200 was a lot, and the money I had been saving from my movies.
My nose was broken six times, my hands six times, a few fractured ribs. Fifty stitches over my eyes. But the only place I got hurt was out of the ring.
I think if I have any kind of unique gift, it's more in the comedy area than it is in the dramatic area.
Tradition is the thief of power. There is no area of our lives where that theft is more evident than in the area of divine healing.
Wallace Stevens had more time to write as an insurance agent. He was a bond lawyer and I know that insurance company lawyers don't have to do nearly as much as we had to do. We were out more in the production area. I'm not condemning Stevens for having had a better job than I did, but that's one of the many places where I differ from him.
For me, my core genius lies in the area of teaching and motivating. I love to do it, I do it well, and people report that they get great value from it. Another core genius is compiling and writing books. Along with my co-author Mark Victor Hansen and others, I have written, co-authored, compiled and edited more than 200 books.
I was never unhappy with the shows. I didn't get into [the writing]. I had an area. My area was my character. My area was what they gave me to do.
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