A Quote by Wang Jianlin
There's no single company in the whole world that has a big-scale production base and at the same time has screening and distribution channels. Wanda Group is the first one in the world.
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You know, some people say that Cannes is the worst place in the world to see cinema. It's a paradox. They have the new films , lots of interesting films premiering there for the first time. At the same time it's such a mess and a confusion. You have to run from one screening to another.
When you're a teenager, everything is amplified because everything is a first. The first time you feel othered, the first time you feel rejected, the first time you fall in love... it's the first time, so it's so vivid, and everything feels like the whole world almost, because it is your whole world; your world is small when you're a teenager.
By getting into distribution and production, I am actually widening my base.
I've taken the leap of faith to stop punching the company time clock and start working for myself. I'm now the CEO of Starfish Media Group, my production company, in New York City.
CEOs shouldn't worry about their budget all the time - on a day-to-day basis, they should work on managing their company, building an awesome product, developing key relationships, identifying distribution channels, etc.
We're living through a time where we are fighting wars fostered by politics, admittedly not on the same scale as the First World War, but with equally tragic realities for our soldiers and their families.
We go out to practice every single day and we have fun out there, but at the same time, we're getting work done. We're going hard. If it's reps for the scout team, we're giving them good reps. If we're getting reps for the first team as a tight end group as a whole, we try and go out there and put our best out there as a group effort.
It [a new world order] needs only that the governments of Britain, the United States, France, Germany, and Russia should get together in order to set up an effective control of currency, credit, production, and distribution – that is to say, an effective ‘dictatorship of prosperity,’ for the whole world. The other sixty odd States would have to join in or accommodate themselves to the over-ruling decisions of these major Powers.
No one, no single center, can today command the world. No single group of countries can do it. Under the current U.S. president, I don't think we can fundamentally change the situation as it is developing now. It is dangerous. The world is experiencing a period of growing global disarray.
Corporate houses and big companies can be meaningful distribution channels for start-ups.
When I turned thirteen, I moved up to the junior bull scale. They didn't really classify them by how big they were but how bad they were. The first time I got on one of the big boys I was absolutely terrified but excited at the same time.
Oil production, energy production are growing, though the latter has gone down by about 1 percent here, I believe... By the way, we occupy the first place in the world in gas export, accounting for 20 percent of the world market. We are also first in the sphere of liquid hydrocarbons export.
My first decade of living in a metropolis was like, I was a people watcher. It meant the world to me to talk to strangers. I got excited about the fifth time I'd see the same person in the same bodega. I loved getting to know a certain clerk or barista. It took on a whole big meaning for me because of that atomization that suburban people do start to feel.
There is a production and distribution pact, so they help with the production financing and take international territories and do international distribution and marketing.
I feel that single mommies don't get enough praise and accolades. I've had first-hand experience. My mother was a single mom. As far as I'm concerned, mommies, in general, rule the world. And single mothers just take it to a whole other level.
Sometimes, with the scale of a film, it's like when I walked on the sets of "The Matrix," especially in "Reloaded," there was the city square, or in "Revolutions" with some of the machine world, you're like, "Wow, this is a big playground," which is fun to watch. But the acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
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