A Quote by Wang Jianwei
When you are a part of a world that is within an enclosed system, the biggest threat is that the loss of contact with any voice from the outside - a point of reference that is different from you - becomes habitual. The loss of this reference makes the enclosed system seem perfect. I can still feel this kind of threat today, the voice that gives legitimacy to various kinds of enclosure.
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The use and threat of force, when world peace is not in danger, are no longer valid frames of reference for achieving the ends sought today by sovereign nations.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
The financial system in its current condition poses an existential threat to Western democracy far exceeding any terrorist threat.
Basically, if you want to have a computer system that could pass the Turing test, it as a machine is going to have to be able to self-reference and use its own experience and the sense data that it's taking in to basically create its own understanding of the world and use that as a reference point for all new sense data that's coming in to it.
Transitions are a part of life, allowing for perpetual renewal. When you experience the end of one chapter, allow yourself to feel the emotions of loss and rebirth. A bud gives way to a new flower, which surrenders to the fruit, which gives rise to a seed, which yields a new sprout. Even as you ride the roller coaster, embrace the centered internal reference of the ever-present witness.
There are two reasons why man loses contact with the regulating center of his soul. One of them is that some single instinctive drive or emotional image can carry him into a one-sidedness that makes him lose his balance...his one-sidedness and consequent loss of balance are much dreaded by primitives, who call it 'loss of soul.' Another threat...circles around particular complexes
My family, in a way, gives me a reference as to who I am as an individual, and my work gives me a reference as to who I am as a Homo sapiens. I think that's a very perfect match, in my view.
There are many kinds of loss embedded in a loss - the loss of the person, and the loss of the self you got to be with that person. And the seeming loss of the past, which now feels forever out of reach.
Without any doubt, the Iranian threat is the biggest threat facing the Jewish people since the Second World War.
The dominance of [an ideology] is shown by the fact that the dominated classes live their conditions of political existence through the forms of dominant political discourse: this means that often they live even their revolt against domination of the system within the frame of reference of the dominant legitimacy.
As someone who lived under communism for most of my life I feel obliged to say that the biggest threat to freedom, democracy, the market economy and prosperity at the beginning of the 21st century is not communism or its various softer variants. Communism was replaced by the threat of ambitious environmentalism.
Any international system must have two key elements for it to work. One, it has to have a certain equilibrium of power that makes overthrowing the system difficult and costly. Secondly, it has to have a sense of legitimacy.
The system becomes logically closed when each of the logical implications which can be derived from any one proposition within the system finds its statement in another proposition in the same system.
Ma was using her for-company voice. Sweet on the outside but with an underlying death threat.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
The perfection of an art consists in the employment of a comprehensive system of laws, commensurate to every purpose within its scope, but concealed from the eye of the spectator; and in the production of effects that seem to flow forth spontaneously, as though uncontrolled by their influence, and which are equally excellent, whether regarded individually, or in reference to the proposed result.
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