A Quote by Wang Jianwei

The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
So long as our land is occupied it is the right of the Palestinian people and their factions to combine resistance and political activities. Resistance and its arms are directed against the occupation while political activity is part of re-arranging the Palestinian home.
In contemporary art culture, where good looks and clever strategic planning of art careers have become a feature, professional practice may be taught in art schools like a branch of public relations or political science.
Art begins with resistance - at the point where resistance is overcome. No human masterpiece has ever been created without great labor.
I've become convinced that Los Angeles is going to become the next contemporary art capital - no other city has more contemporary gallery space than Los Angeles. We've come into our own, finally.
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
Resistance here doesn't mean revolution. It doesn't mean storming the barricades. Resistance means using art for the things that it does best, which is to create human portraits and communicate ideas and forge a climate where people of different races or classes are known to you because they make themselves known. In the simplest terms, art humanizes. It opens the circuit of empathy. And once that process happens, it's that much harder to think of people as part of a policy or a statistic. Art reverses the alienation that can creep into society.
The world of contemporary art has, in a way, exponentially expanded in the last couple of decades, and almost every major city in Europe and Asia and North America has fallen over themselves to have their own contemporary art museum.
I think that people's resistance to vaccination isn't going to disappear until we address some of the nonmedical reasons for that resistance and people's discomfort and distrust of the government. That's bigger than what most medical professionals can handle.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
The natural tendency of all human behavior is toward the path of least resistance. When you resist this tendency, you become stronger and more powerful.
Art is our weapon. Culture is a form of resistance.
Political agitation, by the passions it arouses or the convictions it engenders, may in fact stimulate men to the violation of the law. Detestation of existing policies is easily transformed into forcible resistance of the authority which puts them in execution, and it would be folly to disregard the causal relation between the two. Yet to assimilate agitation, legitimate as such, with direct incitement to violent resistance, is to disregard the tolerance of all methods of political agitation which in normal times is a safeguard of free government.
I say to myself, go on seeking, be glad for being sensitive, be glad you're able to go beyond the resistance inside you. It is our resistance to what we experience that makes creativity possible. So don't get rid of resistance like that by going around it or trying to eliminate it. Our own limitations put up strong resistance, but it's because of that that we are creators
The experiment left no doubt that, as far as accuracy of measurement went, the resistance disappeared. At the same time, however, something unexpected occurred. The disappearance did not take place gradually but abruptly. From 1/500 the resistance at 4.2K, it could be established that the resistance had become less than a thousand-millionth part of that at normal temperature. Thus the mercury at 4.2K has entered a new state, which, owing to its particular electrical properties, can be called the state of superconductivity.
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
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