A Quote by Wang Wei
The autumn hill gathers the remaining light, A flying bird chases after its companion. The green color is bright And brings me into the moment, like a sunset mist that has no fixed place.
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Variations: II Green light, from the moon, Pours over the dark blue trees, Green light from the autumn moon Pours on the grass ... Green light falls on the goblin fountain Where hesitant lovers meet and pass. They laugh in the moonlight, touching hands, They move like leaves on the wind ... I remember an autumn night like this, And not so long ago, When other lovers were blown like leaves, Before the coming of snow.
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
The leaves streamed down, trembling in the sun. They were not green, only a few, scattered through the torrent, stood out in single drops of green so bright and pure that it hurt the eyes; the rest were not a color, but a light, the substance of fire on metal, living sparks without edges. And it looked as if the forest were a spread of light boiling slowly to produce this color, the green rising in small bubbles, the condensed essence of spring. The trees met, blending over the road and the spots of sun on the ground moved with the shifting of the branches, like a conscious caress.
The purple light or glow, which appears roughly fifteen or twenty minutes after sunset... looks like an isolated bright spot fairly high in the sky over the place the sun has set, and then it quickly expands and sinks until it blends with the colors underneath.
The gray-green stretch of sandy grass,Indefinitely desolate;A sea of lead, a sky of slate;Already autumn in the air, alas!One stark monotony of stone,The long hotel, acutely white,Against the after-sunset lightWithers gray-green, and takes the grass's tone.
It seems obvious that colors vary according to lights, because when any color is placed in the shade, it appears to be different from the same color which is located in light. Shade makes color dark, whereas light makes color bright where it strikes.
In that dilated moment after sunset when the sky holds all the light.
The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.
When I say forever,' Koschei whispered, 'I mean until the black death of the world. An Ivan means just the present moment, the flickering light of it, in a green field, his mouth on yours. He means the stretching of that moment. But forever isn't bright; it isn't like that. Forever is cold and hard and final.
Why is summer mist romantic and autumn mist just sad?
Like wind-- In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course. Like light-- In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses. Like wind. Like light. Just this--on these expanses, on these heights.
It is sometimes said that scientists are unromantic, that their passion to figure out robs the world of beauty and mystery. But is it not stirring to understand how the world actually works — that white light is made of colors, that color is the way we perceive the wavelengths of light, that transparent air reflects light, that in so doing it discriminates among the waves, and that the sky is blue for the same reason that the sunset is red? It does no harm to the romance of the sunset to know a little bit about it.
Your favorite colour . . . it's green?" "That's right." Then I think of something to add. "And yours is orange." "Orange?" He seems unconvinced. "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once." "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you." But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.
The candle flame is too hot. It flickers and dances in the over-warm breeze, a breeze that brings no respite from the heat. Soft gossamer wings flutter to and fro in the dark, sprinkling dusty scaled in the circle of light. I'm struggling to resist, but I'm drawn. And then it's to bright, and I am flying too close to the sun, dazzled by the light, fried and melting from the heat, weary in my endeavers to stay airborn. I am so warm. The heat... It's stiffling, overpowering. It wakes me.
Love is like light and there are two kinds, the bursting fireworks of the moment and the solid, fixed stars that sometimes become obscured in the heavens, but are always there, year after year, for a lifetime.
All flesh is one: what matter scores; Or color of the suit Or if the helmet glints with blue or gold? All is one bold achievement, All is fine spring-found-again-in-autumn day When juices run in antelopes along our blood, And green our flag, forever green...
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