A Quote by Wangechi Mutu
Some people get turned on by my work, and it sells, but what drives me is the process of making it.
Related Quotes
When you design a dress you ask yourself, would woman like it or no. It's much more of a creative process, not a research or trying to make somethings that sells or appeals. I hope that it will appeal to somebody, but it isn't what drives me.
When the New Yorker turned down work, they turned it down in such an elaborately gentlemanly way making apologies for their own shortsightedness. Undoubtedly it was their fault but somehow for some reason this fell short of the remarkably high standard that you by your own work have set for yourself. They had a way of rejecting my work that made me feel sorry for them somehow.
The creative process of making a movie really turned me on. I'd started getting behind the scenes with a camcorder and VHS tape when making music videos.
I've gotten a lot more comfortable with the audition process, but there's something that really turned me off initially when I was younger, to auditioning. The idea that I couldn't get to the person that was actually making the film really frustrated me.
I've always been very attentive to detail. It's a characteristic that drives some people crazy. But on the other hand, when people around me are sloppy, that drives me crazy.
The demons you have are what motivate you to make your art. This is what drives the detective, this is what drives the painter, this is what drives the writer: a conflicting urge to forget pain and at the same time remember it and fight for some kind of justice. I know these powerful things are inside of me and everyone in some way or another.
What drives me as a player? I don't know. I wake up and get out of my bed and I show up to work. I don't know. I couldn't tell you what drives me. I love what I do. I've got the best job in the world, if you ask me.
The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.
Yeah. And it was too much of what you shouldn’t be doing instead of what you should be doing. I get enraged when people start telling other people how to live their lives. It drives me mental. This Prop.8 thing just drives me mental
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
You get a culture of entrepreneurship after you have successfully changed the accountability system so that people can use a better process. Process drives culture, not the other way around, so you can't just change the culture, you have to change the system.
I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.
Mexico is the second most important destination of U.S. exports. What does this mean? The U.S. sells to our country almost the same as it sells to all the European Union, five times what it sells Brazil. More than what it sells together to Brazil, Russia, China, and India.
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