A Quote by Wangechi Mutu
So many a time, I would find myself stuck in my studio while, in another country, my exhibitions were opening and I was being celebrated.
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While I had no intention of ending the series after 'The Spellmans Strike Again,' I did close many doors in that book and, with the fifth one, I was opening a lot of doors and not finding anything behind them and then opening another door and another until I found something. It was a while before I found my stride.
I've changed my music from time to time so I'm hoping that I can completely change my life from time to time, too. Like live in another land, in another place, and just get completely soaked up in another way of being. Could be in this country or another country, somewhere were you can be reborn a number of times not just creatively, but personally as well. I guess I want to go through life as more than one person.
I'm the type of person that doesn't like to wait for people to do things for me, and I never want to feel stuck. Why sit around and be like, 'I wish my label would book me some studio time,' if I can just buy my own studio equipment and figure out how to run Pro Tools and record it myself?
Whats fun for me is to try new things and push myself and not get stuck in one genre or another, or stuck with one character or another.
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.
And if we were another country being analyzed by America, we would conclude that this country is ripe for stealing elections and for fraud.
There are still many different ways to get stuck, existentially stuck. Feeling like, "This is worthless. I'm wasting my time, and I would be wasting the time of someone who tried to read this." It happens all the time.
Many times an actor is stuck for the lack of choices. The same happened with me when I started my career. That was the time when mainly romantic films were being made, and that is what I was offered all the time.
In another time, another world, each studio made 200 movies a year and had 20 executives. Today, a studio makes less than 20 movies a year and has 500 executives. They own too many parking decks and too many billboard companies. They're awash in overhead, and it's pinning them down, and they know it.
I run into viewers all the time who have no idea I've moved to N.Y.C. I think, for many of them, a studio is a studio is a studio.
We became closer and closer at the end of Freddie's life, and I think we were co-dependent in many ways. We stuck together for an awfully long time, and I think we all felt we needed one another.
It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.
Any time we would talk to another VC, our investors would talk him out of it: 'This is not a good company'... So we were really stuck with our existing investors for the next round.
Things have not changed as much as we would like to think they have. Or maybe we're just in another one of the divided moments in the country. The late '60s certainly was one of them, the Civil War being another, but I'm hard-pressed to think of too many.
How many after being celebrated by fame have been given up to oblivion; and how many who have celebrated the fame of others have long been dead.
I held down as many jobs as I could find, from being a waiter to working at a yoga studio and as a ticket-taker at a small theater company - anything that would allow me to go out and do auditions.
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