A Quote by Wangechi Mutu
For me, collages manage to - it satisfies all of my madness, like I'm able to make these obsessive things, but then I'm also able to make these very strong statements. I don't know what they mean to other people, but in my mind, they have a very strong particular resonance; there's sort of a power.
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I want to be able to walk a red carpet and look great but also be able to shred onstage and move. So I tend to go for comfort over anything - I like menswear-inspired stuff but I also like getting glam once in awhile. Whatever I wear, I like it to feel very strong and very unique.
I think generally the heads of terrorist groups are very, very smart people. They're also great manipulators. I would presume that cult leaders are identical. These sort of individuals are very strong, they have very strong charisma.
A very strong player can manage and can just know how to manage a thousand positions. I get it; it's a very arbitrary number. So then you have the world champion who could do more. But, again, any increase in numbers creates, sort of, a new level of playing. And then you go to the very top, and the difference is so minimal, but it does exist. So even a few players who never became world champion, like Vassily Ivanchuk, for instance, I think they belong to the same category.
The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou."
I always think before I speak. I'm not the sort who will just say anything that comes to my mind. I'm a very emotional and sensitive person. But I'm also very strong and know my mind well.
I know the fans are very personable with my mom and things like that. They make little collages and pictures. They make edits of me and my mom together.
I think, to me, power really is being able to have some kind of resonance and to be able to impact other people's lives in a positive way.
I have very, very strong obsessive-compulsive issues. I'm very particular.
My brother and I have been able to get on and have been very lucky to do things with our family that other people wouldn't have been able to do. But then again, we've also been able to live a normal life as well.
I think I have become a very strong person. If you’re able to grow up in Nigeria and go through certain things, you’re able to tackle anything around the world because you’re able to live wherever, if you can survive in a city like Lagos or Warri or Niger Delta, as far as I’m concerned.
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical things for my novels.
I don’t like to make strong statements. I want to write strong novels … I keep my deep radical things for my novels.
My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it.
The thing that impressed me then as now about New York… was the sharp, and at the same time immense, contrast it showed between the dull and the shrewd, the strong and the weak, the rich and the poor, the wise and the ignorant… the strong, or those who ultimately dominated, were so very strong, and the weak so very, very weak - and so very, very many.
Sometimes I make things that people have very strong responses to. Whether that's art, I don't know. That's one of those words that doesn't mean anything. It's why I don't just use words.
I like people with depth, I like people with emotion, I like people with a strong mind, an interesting mind, a twisted mind, and also someone that can make me smile.
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