A Quote by Warren Buffett
People always ask me where they should go to work, and I always tell them to go to work for whom they admire the most.
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Kids ask me about what they should do to make it, and I tell them, 'Just get your head down and work, work, work.'
The way I work, I always ask myself, 'What did go well this year, and what do we need to work on?' I always have a plan in my head.
I've argued this with a lot of people in my life. When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, 'Don't undermine the work I've put in every day.' Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee and ask them. The answer is me -- not because it's a competition, but because that's how I prepare.
Personally, I just want to work on stuff that challenges me, that excites me, and that I think is original. You want to do something that does to other people what films do to you. It's the most wonderful thing in the world when you can lose yourself from reality and go into a story, and believe it and go on that journey with people, and you have to work that will somehow do that. It won't always, but hopefully sometimes.
It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.
If a subject has a delicate surface to it, you do not want to go charging in there. You need to establish some kind of presence and understanding. I will say, Try to forget I'm here. I won't ask you to pose, I won't ask you to do anything. It's important that I just be allowed to be around, to be present. Photographing people requires a willingness to be rejected. So, I think the best approach is to be honest and direct. Very often, I tell them, You don't know me. There's no reason why you should trust me... the only thing I can promise is that I'll try to do the most honest work I can.
If people ask me, I always tell them: "Quite well, thank you, I'm very glad to say." If people ask me, I always answer, "Quite well, thank you, how are you today?" I always answer, I always tell them, If they ask me Politely... BUT SOMETIMES I wish That they wouldn't
What is a struggle is that acting isn't a place where you go to work and you do that thing. There aren't set boundaries, like an office, where you go and work. For me, the work is always on my mind.
I have always tried to sense the mood of the people, their needs, their attitude toward ways to solve problems, their priorities. That's mainly what I go by. And I think that's the most important thing in any person's work, in the work that the people of Russia entrusted in me.
I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.
If you admire somebody, you should go ahead and tell them. People never get the flowers while they can still smell them.
You have to work from one point to go to another. So I admire work ethic, I think it should be reinforced through our neighborhoods, that everybody should work hard, practice makes perfect, you have to be diligent with what you want, you have to apply yourself, you have to motivate your self. You have to do for self by yourself, and then you can do things for other people. That's what I had to do, I had to do for self.
When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.
I'm not one of those actors where filmmakers that I admire ask me to be in their movies. I meet them at parties and they're nice to me, but they never ask me to work with them.
For me, it's always been about the work - it wasn't about, 'Let's go break some ceilings.' I just wanted to tell an important story and do the best work I can. Everything else is secondary.
After fifty years of living, it occurs to me that the most significant thing that people do is go to work, whether it is to go to work on their novel or at the assembly plant or fixing somebody's teeth.
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