A Quote by Warren G. Bennis

Don't over-react to the trouble makers. — © Warren G. Bennis
Don't over-react to the trouble makers.
If African film makers had one-tenth the amount commanded by film makers the world over - even the amount used by so-called shoestring film makers - I think we would see quite an explosion of African films on the world scene.
The beachcomber goes looking for trouble, everything he finds is a sign of trouble. The writer is the same; without trouble he has nothing to work with, so he picks over the tide line, over the bits and pieces of people's lives with grim fascination.
In football, you're taught to react by being aggressive, taught to react with violence. If you can't separate that on the field and off the field, you're going to be in a lot of trouble in your life.
I felt, if I'm going to react I might as well over react.
If women speak their mind, then they are termed as trouble makers or attention seekers.
You are a human being, you do react. If you react to negativity, you also react to positivity.
Change no one. Change nothing. React to no one, react to nothing. Do not live in the past and do not, worry about the future. Stay in the eternal now, where all is well. After all you are me and I am you. There's no difference. Do not react to the world. Do not even react to your own body. Do not even react to your own thoughts. Learn to become the witness. Learn to be quiet.
When you react to things, that's when you get into trouble and it's tough to completely control a split-second reaction.
Better never trouble trouble until trouble troubles you; for you only make your trouble double trouble when you do.
My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.
World makers, social network makers, ask one question first: 'How can I do it?'
If you look at the history of technology gadget makers, hardware makers, it's littered with the corpses of Palm and RIM and companies like that.
Photographs are of course about their makers, and are to be read for what they disclose in that regard no less than for what they reveal of the world as their makers comprehend, invent, and describe it.
In the 1970s, a lot of critics didn't understand video. I got a lot of bad reviews. But film-makers didn't understand what we were doing, either. There were actual fistfights between film-makers and video-makers. I was witness to one.
I think you write only out of a great trouble. A trouble of excitement, a trouble of enlargement, a trouble of displacement in yourself.
We will ultimately be judged by how we react in times of trouble and how we care for the least among us.
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