A Quote by Warren MacKenzie

I thought, oh, I'm going to be a painter. And eventually my family had moved near Chicago, and when I graduated from high school, I went to the Chicago Art Institute, and it was there that I thought, well, now I'm going to be a painter.
I moved to Chicago and began attending the School of the Art Institute of Chicago. The students and teachers I met in Chicago were politically active and also passionate about the same things that I was interested in. It was a great match for me.
I was going to be a painter. I went to art school - but every 16-year-old wants to be a painter.
I went to art high school and thought I'd be a painter. Unfortunately I didn't finish high school, but that's always been part of my work.
What brought me to L.A. was work! I moved to Chicago after college - I went to Kalamazoo - did my nerd thing, graduated, and moved to Chicago to pursue improv.
I went to UCLA and studied studio art. I thought I was going to be a gallery painter, photographer, or ceramicist. Then, when I graduated, that didn't happen immediately. I didn't suddenly get solo shows in Chelsea, and I realized that is actually kind of difficult to break into.
I'm a huge fan of Chicago sports and Chicago food, and I love going home and my family is still there. I guess it's pretty easy to have a normal life in Chicago.
My mother thought I would have a hard life as a painter. My father thought the highest thing a person could be was an architect. Below that was a painter. So he thought it was much better than being, say, a doctor.
I remember being an art student and going to the Whitney in 1974 to see the exhibition of Jim Nutt, the Chicago imagist. It was then I transferred to school in Chicago, all because of that show.
I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.
I thought, enough of this, I'm not an abstract painter, what the hell am I going to do? Should I get a job in a shoe store, sell real estate, or what? I was really depressed by the whole thing, because I felt like a painter, yet I couldn't make paintings.
When I grew up on the south side of Chicago, it was kind of a rough neighborhood, and when my parents saw the prospect of my older sister going to middle school, high school, they decided that we would move to the north side of Chicago, Highland Park, and for me, that was a whole new ballgame.
I've always liked writing. Even when I was in art school and thought I was going to be a gallery painter, I liked to pair my artwork with writing. And so that naturally led to drawing comics.
For me becoming a painter was an Everest, in terms of what I thought a painter was. There are many roads to becoming an artist. For me it wasn't art school. I didn't have that go to art school and then get a gallery. It's more like, how deep is your inner library to cull from. It's certainly not about technical prowess, just about depth of investigation. It takes time. I had 15 years of painting under my belt before my first New York show. I was glad to have that. It's a good thing to spend your twenties getting your craft.
I graduated in June 1948 and then went in the fall to the art school. I stayed with my cousins on Seventeenth Street in the beginning, and later had my own apartment very near there and was able to walk to the Art Institute on Elmwood Avenue. The school had a faculty of local artists - Jeanette and Robert Blair, James Vullo who were well known in the area. It was a school that I think thrived on returning GIs, as many schools did at that time. It was a very informal program - but it was professional.
When I was in high school, I was going to be a painter because I had a facility for painting. I could do it, but I didn't have anything to say in that medium.
One of the great things going on in Chicago is the educational facilities here. And the largest film school in the world is right here in Chicago: Columbia College.
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