A Quote by Warren MacKenzie

I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more and more into ceramics, I thought, life drawing doesn't have anything to do with ceramics.
I was always doing films, but the ceramics didn't come until later. I did take ceramics in university, which gave me an appetite for the medium, but I couldn't figure out what I wanted to do with it yet.
The other day I started to take a course in psycho-ceramics. What is psycho-ceramics? It's the study of crackpots.
I think ceramics are so amazing because they're incredibly educational - you can buy something made in the 14th century, and it looks like it was made yesterday. There's something to be learned there, and ceramics can tell you the history of the time because they're functional vessels, ultimately.
When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
[ Bernard] Leach was the one who taught us that, because he, too, had started out as a painter and an etcher and had only gotten into ceramics by chance when he was in Japan trying to teach the Japanese how to do etching, which, as he said, they were not ready for yet.
I love to paint, do ceramics, photography. I got a lot of side things that I like to do.
I hadn't had any course work in ceramics. I had no courses in art education but I wasn't going to let this chance to have a job pass me by. I went out and learned and I stayed one step ahead of the students by reading and I got to be pretty proficient at throwing on the wheel and making my own glazes, ordering the chemicals and having the students go out and dig and process their clay, and doing things that they weren't teaching at Howard University. So Talladega College opened up my whole sensibility about experimental teaching.
In England, there is a dividing line between artists and illustrators, who are thought inferior to painters. Well, that's absolute rubbish. Some of the most creative work is being done in children's books. In Japan, everything is art. They don't say painting is better than ceramics or dress design.
My dad is a sculptor and a painter, and mum runs an art gallery, which sells beautiful jewelry and ceramics and paintings - local and international.
I worked as an engineer before going into ceramics, making insulators. It was my job, so I got it done. But I also had a lot of pride in myself.
I do a lot of ceramics.
During my McGill years, I took a number of math courses, more than other students in chemistry.
We both [with Alixandra Kolesky MacKenzie] got into ceramics, you might say, by the back door. Looking back on it, I think this was a very good thing.
That [silk-screen process experience] carried over when I returned from the Army and took more graphic classes at the Institute. And Alix [MacKenzie] and I actually began to produce a line of textiles, which had silk-screen patterns on them.
I'm not the kind of person who has tall stacks of beautiful ceramics in every corner of my cabinets.
I was learning things in school rather than learning how to teach myself, which is what you have to do in life, so I just abandoned it and did ceramics for a year and a half.
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