A Quote by Warren MacKenzie
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he really felt his job - part of his job, as an assistant [to the] director was to make the collection available to interested people.
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A lot of the people that we have made offers to, and where we make offers, when they hear it's a part-time job, or a it's four-month or five-month job - and I understand this - they're not interested. They're American people. They're not interested.
I didn't come out and roll from job to job - my first year was really tough. I had to work as a teaching assistant for an agency; I ran a pancake stall in Dulwich Market. I taught drama classes and ran my own workshops. I applied for every advert on Gumtree there possibly was.
In fact, there is perhaps only one human being in a thousand who is passionately interested in his job for the job's sake. The difference is that if that one person in a thousand is a man, we say, simply, that he is passionately keen on his job; if she is a woman, we say she is a freak.
There is nothing a worker resents more than to see some man taking his job. A factory can be closed down, its chimneys smokeless, waiting for the worker to come back to his job, and all will be peaceful. But the moment workers are imported, and the striker sees his own place usurped, there is bound to be trouble.
My first job was at the BBC but was really dull. I was working in the BBC's reference department, where I did a lot of filing. I had always been interested in films and theatre, so I thought that getting a job at the BBC would be a good idea, but the job was really mundane.
All too often we say of a man doing a good job that he is indispensable. A flattering canard, as so many disillusioned and retired and fired have discovered when the world seems to keep on turning without them. In business, a man can come nearest to indispensability by being dispensable in his current job. How can a man move up to new responsibilities if he is the only one able to handle his present tasks? It matters not how small or large the job you now have, if you have trained no one to do it as well, you're not available; you've made your promotion difficult if not impossible.
I don't want to make a comfortable film. I'm not interested in that. I'm not interested in answering people's questions; I'm interested in posing questions. I'm interested in sparking a conversation between two people about what something means. That's enough for me, as a writer and as a director.
There are people inside the administration that think it is their job to save America from the President. That is not their job. Their job is to inject this President into America so that he can explain his views properly and his policies so that we can transform America and drain the swamp and make the system fairer for the middle and lower income people.
The first 'Saturday Night Live' season I was heavily interested in was the one with Martin Short, Billy Crystal, and Christopher Guest. There was just something about Martin Short in particular. I really related to him and hung on his every word and mannerism, so I started impersonating all of his characters as an 8th grader.
The really cool thing is all about being able to take your movie around and show it. It puts you in direct contact with people who are like-minded and interested in similar things. I think the film festival circuit has certainly helped to foster the community.
Not to knock the people who've given me the opportunity; I appreciate all the opportunities I've gotten, but one of the things I think I really learned from the features I got to direct is that your job as a director is everything about the movie. It's to pick a story that's really worth making, and make sure that the basic components are there. You're not just a part of the team. You're really in charge, and the responsibility falls on you if all the components aren't there for a worthwhile film.
I come from a very humble background. My father had to work really hard to become an assistant director. For a large part of his youth, he worked in a mill and took up odd jobs to make ends meet. We lived in a small room and could only afford a meal a day.
I sat in the back of the broadcast booth for ages watching my dad do his job. And not just watching how he did his job, but how he interacted with people and how he regarded his job.
Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got a job at the University of Minnesota, which was very fortunate because it was a part-time job and that gave us a great deal of time in our studio to work together and to make the pots we wanted to make.
I'm an actor... I do a job and I go home. Why are you interested in me? You don't ask a truck driver about his job.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
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