Books are savaged and careers destroyed by surly snots who write anonymous reviews and publishers can't be bothered to protest this institutionalized corruption.
I don't usually read my reviews. I've noticed older reviewers are much more bothered by the plot complications. Younger reviews don't seem to be bothered by the complications at all.
I am big supporter of the idea of a global anti-corruption movement - but one that begins by recognizing that the architecture of corruption is different in different countries. The corruption we suffer is not the same as the corruption that debilitates Africa. But it is both corruption, and both need to be eliminated if the faith in democracy is not going to be destroyed.
I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
Most writers can write books faster than publishers can write checks.
I write reviews of science books for the Boston Globe, so I like to give science books.
If I knew what the meanings of my books were, I wouldn't have bothered to write them.
We are forced by the major publishers to include electronic rights in the contracts we make with publishers for new books. And there's very little we can do about that.
I used to write reviews for 'Artbomb.' Our policy was to only cover books we loved and recommended.
My kind publishers, Toby Mundy and Margaret Stead of Atlantic Books, have commissioned me to write the life of Queen Victoria.
I work really hard at these books, and when colleagues write nasty reviews of them, I take it very personally.
The Arab world is full of corruption, in the time of the dictatorships and in the time of anarchy. This corruption is not only in politics and the economy, but also in the field of creative activity. There's an elite that controls the festivals, the newspapers, and the reviews. They are just a corrupt clique with no interest in creativity.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
I don't write for publishers, certainly not for critics, and not for readers, But I am delighted that so many people have found my books enjoyable and want to continue to read them.
Writers are stewards of the culture. Publishers, librarians, bookstore owners. We're all in this together. To write books that are gripping, important, that people want to have, is to keep publishing alive.