I throw the ball as hard as ever, but it just takes longer to get to the plate.
I don't try to be satirical. I just try to get what's in my head on the page. And that part is hard for me to do. It takes a long, long time to make it poetic, somewhat essayistic.
Well, if you live long enough, you lose a lot. Just as long as you don't throw them away. Whatever you loose, you'll find again, but what you throw away you never get back. -Oibore (Enishi's dad) to Yahiko and Misao
Evil doesn't die. It never dies. It just takes on a new face, a new name. Just because we've been touched by it once, it doesn't mean we're immune to ever being hurt again. Lightning can strike twice.
I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
We're one of the last handmade art forms. There's no fast way to make plays. It takes just as long and is just as hard as it was a thousand years ago.
For a smart material to be able to send out a more complex signal it needs to be nonlinear. If you hit a tuning fork twice as hard it will ring twice as loud but still at the same frequency. That's a linear response. If you hit a person twice as hard they're unlikely just to shout twice as loud. That property lets you learn more about the person than the tuning fork.
People ask me why I don't paint oils. It takes too long. Cleaning brushes in linseed oil, and it takes six months to really dry, and all this. I don't have that kind of time. I work with acrylic. It's water based. You can clean it under water. If you spill it on yourself, you just throw it in the washing machine.
Never complain or make excuses. If something seems unfair, just prove yourself by working twice as hard and being twice as good.
I've got power. I don't throw hard every time. I just throw shots.
There's a sense you get from the Coens' work, like 'No Country for Old Men,' where you put these characters in situations, and you just let this painful amount of time take place. Part of the tension is just how long it takes to get out of that scene.
Learning to love is hard and we pay dearly for it. It takes hard work and a long apprenticeship, for it is not just for a moment that we must learn to love, but forever.
A relationship takes time, and you really have to work hard at it. I'm devoted to my profession, but when I find the right guy, I'll work just as long and hard for him.
The books take a year just to do the drawing. I will travel to a country to do the research and get ideas. Sometimes I don't travel to do research, but mostly I do. It takes a long time, but do I ever get tired of it? Not really. The characters kind of grow and evolve.
I had great grades. Why? Because I studied twice as long and twice as hard as everybody else.
I went to the brink many times.
A couple of times I thought "I'm gone, This is it."
But then you would just keep working.
I think if you're close to the brink and just make sure that you work twice as hard and put twice as much effort into everything and the people around you and everything, you should come through.