To me grinding out a good at-bat is pretty much fighting. And it's not trying to do too much with pitches, just finding a way to spoil a good pitcher's pitches, really.
There are certain things I can't do, certain pitches I can't hit. You stay away from them. You try to wait for pitches you can hit. The bat speed isn't what it used to be. You make up for it by using your head, working counts, getting ahead in counts and getting pitches to hit and hitting them hard.
I'm a whole new pitcher. I'm more comfortable with all of my pitches.
You visualize [pitches]. You see it in your head; you think it...I used to play every pitcher in my mind before I went to the ballpark. I started getting ready for ever game the moment I woke up.
I'm a different hitter than Chipper Jones. He goes up looking for certain pitches to hit. I go up there looking for something over the plate and try to hit it hard.
Right now what's in my mind is going up there and being disciplined. I was swinging at so many pitches out of the strike zone, and when you do that, you're not going to get a chance to hit strikes. It makes it easier for the pitcher every time I do that.
When a catcher has to use his thumb to give signs, that means the pitcher has more than four pitches.
Bob Gibson is the luckiest pitcher I ever saw. He always pitches when the other team doesn't score any runs.
Back in the day when I played, a pitcher had 3 pitches: a fastball, a curveball, a slider, a changeup and a good sinker pitch.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
Maybe you just have those impromptu conversations, or where all of the sudden you're standing on the corner waiting to cross the street and you notice three people looking up and you look up with them. And you all smile at each other because you're seeing a little piece of a rainbow between two buildings, and that little rainbow and you all just shared a New York moment, and that's awesome, and then you keep on in your way.
My biggest thing is I need to see a lot of pitches, which I did today. That's good. The more pitches you see, the better your timing is going to be. But it's going to be impossible to see enough pitches. No matter how many pitches you see, it's still going to be March 6.
The dumber a pitcher is, the better. When he gets smart and begins to experiment with a lot of different pitches, he's in trouble. All I ever had was a fastball, a curve and a changeup and I did pretty good.
Where your talents and the needs of the world cross, therein lies your vocation. These two, your talents and the needs of the world, are the great wake up calls to your true vocation in life... to ignore this, is in some sense, is to lose your soul.
If I'm a pitcher, my only point would be that if I'm a relief pitcher, I think I like the idea of warming up on the field.
In the minor leagues, previous to 2008, I took a lot of pitches. I prided myself on on-base percentage. I made sure that I made the pitcher work.