A Quote by Warren Spector

From a gameplay standpoint, I've said for years that hero, fiction, and tone have nothing to do with the idea that choices have consequences. And that's really what I'm interested in. I care about you showing how clever and creative you are.
The concept of emergent gameplay is really exciting. That's when players are really crafting their own experience. So if you're clever and creative, you can do things that even developers of the game didn't know were possible.
I had a teacher once who said, "If you are going to write fiction, you should only read poetry." I have always been interested in the writers who care about their sentences and who really work on that level. I have always said that I hate writing, I love revision. So, the language is really important to me. And the comedy and the horror that come out of the language.
From a creative standpoint, I'm interested not only in the idea of helping couples and women, but challenging myself creatively, and doing each one better than the last thing I did. I think by doing that, by adding a visual element to these films, it really makes a huge difference.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
I learned about choices and consequences and responsibility. I learned that we all have choices, even when we don't recognize them, and that those choices have consequences, not just for ourselves, but for others. We must assume responsibility for those consequences.
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
Ultimately, I want a peak experience in reading, and that is sometimes difficult to find in contemporary fiction. I'm not interested in books that are just clever and well executed; polish doesn't impress me, and I don't care about a merely capable sentence. Life is short; I want a confrontation with high art. I want soul.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
I guess I'm curious about how people process grief and how they process loss. And I'm also interested in the ways in which an event can have long-reaching consequences and a life over the course of years.
We have really good data that show when you take patients and you really inform them about their choices, patients make more frugal choices. They pick more efficient choices than the health care system does.
I believe that even today we can only tell a simple story without really interfering with gameplay. But in the future, I think it will almost be a requirement of all storytellers when they create games, how they can tell a more complex story without conflicting with the gameplay.
Every choice I'm making now is so that I can keep working for the next 30-40 years in this industry. These are not creative choices. These choices are to stay in the business, for many years to come.
As a fiction writer you train yourself to think about situations subjectively. I don't really care for narratives that are just A, B, C, D, and then E. I like the aura that fiction has, how it can conjure up dream imagery. It's a sort of emotional speculation that you can shape and work with.
There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy. 'Elysium' could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World. And in science fiction, separation of wealth is a really interesting idea to mess with.
As a teenager, my dad taught me about the idea of unintended consequences, and I've had the experience, and how to deal with it, pounded into my soul over the years.
I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
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