A Quote by Warryn Campbell
I'm really excited about breaking new acts. While I'm trying to preserve the culture and make sure I fight for the acts that the major labels have thrown away, you can't throw away Musiq Soulchild, Kelly Price and Jon B.
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The Gong Show was the greatest scam of all time. It was simple: We wanted to do a talent show. There weren't any venues for acts back then. We were gonna have a show of new, fresh, good acts. But we couldn't find any; they were all lousy. So rather than throw away the idea, I said, "Let's reverse it. Let's do lousy acts." Now, is that a scam? I'm telling you.
Everybody here has the ability to throw a fastball down and away or throw a breaking ball in the dirt for a swing and a miss. But are we able to stay in that moment and understand what we're trying to accomplish and see it in our mind before we execute and then make the pitch?
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
My advice today, to established acts and new-coming acts, is the same advice I'd give to myself: pause for a minute, and really think about 'What is your goal? Where do you see yourself?'
I have always maintained that paradigm shift away from signing Rock and Metal acts is part of the decline in sales the major labels have talked about for years. I mean, to me, that should be so obvious. For decades, literally, as long as Rock N' Roll has existed, a large swath of major label income came from Rock, and later, Metal bands. So if you essentially stop signing the thing that brought in a significant portion of your income, how are you confused when you don't sell as much? It's like cutting off your nose to spite your face. I still don't get it.
On Phantom... I listened to the music while I was reading the script. And it had just blown me away. I really... I was so excited about it. It's been a long time since I really got so excited about something.
The accumulation of small, optimistic acts produces quality in our culture and in your life. Our culture resonates in tense times to individual acts of grace.
This naming of things is so crucial to possession - a spiritual padlock with the key thrown irretrievably away - that it is a murder, an erasing, and it is not surprising that when people have felt themselves prey to it (conquest), among their first acts of liberation is to change their names.
Since when does a dog care about what it humps? (Dev) I could go so low with that that even the gutter would envy us, but…I know what you’re trying to do. You’re trying to provoke a fight with me so that you can legally turn me away. I really, really want to give you that fight, too, but I have to see Sasha and it can’t wait. Sorry. We’ll have to hump and fight later. (Fury)
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
While men represent powerful activity as assertion and aggression, women in contrast portray acts of nurturance as acts of strength.
I wanted to write about the transformative power of small acts of kindness. An old man falls in the street, you stop and make sure he's OK. Or even smaller acts than that, though - buying someone a cup of coffee, telling them their hair looks nice - sometimes you don't realise the transformative effect on people. I wanted to celebrate that.
Acts of violence against one's own countrymen that are legitimated by religion are not new. Nor have such acts been unique to Islam.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
Years ago nudity was not done in the United States. But during that late 1950s era in Vegas it began at the Tropicana, and spread to the other venues. Now the showgirls are going away again and Cirque du Soleil, the magic acts and the animal acts reign in Las Vegas. But I don't think you'll completely lose the boobie shows.
Permitting and protecting even the smallest acts of abuse by a tiny fraction of our officers leads to a culture where extreme acts of abuse are more likely.
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