A Quote by Warsan Shire

With you, intimacy colors my voice. Even 'hello' sounds like 'come here'. — © Warsan Shire
With you, intimacy colors my voice. Even 'hello' sounds like 'come here'.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
Voices come to me but to maintain them is hard work. They go away just as easily, so I have to remember them and that takes work. With Sid, I needed to make sure you could understand what he is saying, his enunciation. Sometimes I couldn't even say my own name [his name] in his voice. It sounds like 'Shid', it sounds a bit like he has a lisp.
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
I can almost see the music. It comes in the form of colors - colors jump out at me, and that translates into notes. They come fully formed: the orchestration parts, not just the melodies. Even though they're not always the right ones to use, the initial idea comes like that.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.
Some people don't even say hello. They come up and say, 'Can I take your picture?' and I'm, like, 'Why?' And they say, 'Oh, you're that guy.' And I'm, like, 'Why do you want a photo of me if you don't even know my name?'
The voice inside your head is not the voice of god. It just sounds like it thinks it is.
I guess when I really think about it, God's voice sounds a lot like my voice.
I realized that even I have weird intimacy issues with humans - like, I need my friendships to get deeper, I need to be locked in, I need to remember people's names. I know this sounds really stupid, but I just need to be more present in my life.
All those "getting hit/losing rings" sounds tend to be recorded toward the end of a recording session. Depending on the type of game, those efforts and screams can be pretty rough on the voice, so they usually like to record them at the end. You might do hundreds of versions of vocal sounds for a game and you can come out a little hoarse afterward.
Seungri sounds mournful while T.O.P has a masculine and husky voice. My voice is thin, just like when I talk
Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.
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