A Quote by Warsan Shire

Essentially, if our secrets are secrets because we are told to be ashamed, then we must share them. There is no shame in being sad or struggling or trying to heal. We are all desperate, depraved and sacred. We are all terrible and brillIant. I can list all the things that can make a girl want to escape her own body (re: patriarchy). But I’d rather list all the things that make me want to stay in my body, and adorn it like a home, rub oils into my skin, tell it how sorry I am for trying to leave, for trying to hurt it into submission
(You do not have to be shamed in my closeness. Family are the people who must never make you feel ashamed.) (You are wrong. Family are the people who must make you feel ashamed when you are deserving of shame.) (And you are deserving of shame?) (I am. I am trying to tell you.) 'We were stupid,' he said, 'because we believed in things.' 'Why is this stupid?' 'Because there are not things to believe in.' (Love?) (There is no love. Only the end of love.) (Goodness?) (Do not be a fool.) (God?) (If God exists, He is not to be believed in.)
When you make a film, you're creating the illusion of a natural experience. But everything is created on purpose. If I want you to be scared, I'm trying to scare you. If I want you to cry, I'm trying to make you sad. If I want you to laugh, I'm trying make you laugh. So, how I get you there is what makes it interesting, because I also want it to feel seamless, and not forced. That kind of constant experimentation is just fun to explore, and I love it.
I'm trying to make things better, and you have people outside who are constantly trying to make things terrible all the time. Why? Because humiliation sells.
I write because I am alone and move through the world alone. No one will know what has passed through me... I write because there are stories that people have forgotten to tell, because I am a woman trying to stand up in my life... I write out of hurt and how to make hurt okay; how to make myself strong and come home, and it may be the only real home I'll ever have.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
Too often, when you are close to people in power, you're trying to make them happy; you're trying to tell them what they want to hear. But I find that really good leaders don't want that. They want the truth. And you do them a service, and yourself a service, by just being honest and straightforward.
I don't want to fetishize the past. I want there to be a natural sequence coming out of a synthesis of the ideas and information that I gather together as a result of looking at things that are in the world. I'm trying to bring forward signs or signals based on what I see and my responses to these things. I'm trying to leave a trail that will be useful to other people in the future. It has to do with making something that contains a synthesis of the information, and then consequently to make one's deliberations visible, to allow other people to follow them. That's how I see my role.
If you're trying to make someone happy, you gotta try and make them happy. If you're trying to have a normal conversation, you've got to have a normal conversation. If you're trying to make them sad, you've got to make them sad. I think that's how you get real performances out of people.
I don't sleep. All night long I'm wide awake, thinking, Secrets, secrets, secrets. There are secrets in my past no one needs to know. Secrets in my present that might kill Kim and Chip. I don't want to take my secrets with me when I go. When I pass through the light, i want to be free of everything and everyone.
My body has taught me many things, all of them filled with soul: how to dance and make love, mourn and make music; now it is teaching me how to heal. I am learning to heed the shifting currents of my body-the subtle changes in temperature, muscle tension, thought and mood-the way a sailor rides the wind by reading the ripples on the water.
For so many years, I was trying to beat my hair into submission, trying to get it to look like someone else's hair, and I didn't know how. I remember going through a phase where I even put beer in my hair, because I was told that would make it smooth and curly.
Bands now are always trying to make their presence known through social networking and whatnot, but that's just the same as bands before the Internet age trying to connect with fans in some other way. But I don't follow people on Facebook, I think that's creepy. I wouldn't want them following me on Facebook. I don't even have a mailing list.
One of the great things about the Fifties is there are so many secrets - people who've come back from the war and done these terrible things that they don't want to think about, or can't say what they did because they signed the Official Secrets Act.
I think what I am always trying to do is make clothes for every girl to wear, to make things that you are going to accessorize from day to night. I am really trying to focus on casualwear - making your basic sweatpants cool, trendy, and funky.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
For a long time I wasn't happy, but that had nothing to do with Beyonce. That had to do with me trying to get my life in order and make better decisions for myself. I'm seeing all these wonderful things happen for her, and I am happy for her. But I want a path. I want things to pop off for me, too.
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