A Quote by Warwick Davis
If you just did a horror tone throughout an entire movie you almost, as an audience, can get a little bit used to it. But if you're laughing one minute and, you know, somebody's doing something quite horrific the next minute, it's a little more shocking.
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When movie people go over into television, it's a little bit of a shock. It's much faster-paced. Everything is really last-minute. You won't know your schedule for the next episode until the last minute.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
I think crafting a new, effective horror movie is not just about when night falls and things get scary. It's about setting a tone and mood that permeates throughout the entire movie. So even during the daytime, things are never quite safe-feeling.
If I can bring you to the point where you're almost in tears one minute and laughing so hard the next and you've healed a bit at the same time, that's when I get to use the gift I was given.
I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious.
Only comedies can get you that engaged in a movie, dramas people just sort of sit there and eat their popcorn and nothing really happens, they might cry a little bit, but that's it. Horror movies are talking at the screen, guys are elbowing each other, laughing at each other because they got scared. That's the beauty of a horror movie.
I don't think anybody who has any wisdom regrets a minute of their life, as long as it takes you to the next minute, when things get a little better, and even when it doesn't.
If I tell a joke on stage and the crowd laughs for a minute, I stand there for a minute and enjoy them laughing before I go on to the next joke. On TV, if I stand there for a minute while they laugh, I look like an idiot who can't remember the next joke.
Entire years had passed when he was rich enough in time to disregard the loose change of a minute, but now he obsessed over each one, this minute, the next minute, the one following, all of which were different terms for the same illusion.
I couldn't go over there, man. Once I saw the blood. I'm not good with blood. .. It choked me up for a minute. We were laughing and giggling one minute, the next minute, a man's down on the ground, both of them.
The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.
One minute we're over here, the next minute we're doing something completely different. But it's interesting because you are producing so many things you couldn't do with analog.
People are funny, and in the most tragic situations, when comedy erupts from nowhere, it can turn on its head within the space of a second or a minute. You're laughing one minute and you're crying the next and that's just life for me, and that is what people are like.
There are so many things out there now like these 30-minute workouts. I don't know if they work, but a lot of people have jobs and they don't have time to go to the gym. They can do those little 30-minute workouts they see on TV, or get one of those little portable gyms for their house. I think that's a good start.
If you're doing a movie, the minute you put a monster in it, it becomes a horror movie.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
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