A Quote by Warwick Davis

In a costume, you need very exaggerated body language - as you say, sort of mime-type skills. — © Warwick Davis
In a costume, you need very exaggerated body language - as you say, sort of mime-type skills.
In general, we are sort of conditioned to see a different body type as acceptable and maybe look away when the other body type arrives.
We're losing social skills, the human interaction skills, how to read a person's mood, to read their body language, how to be patient until the moment is right to make or press a point. Too much exclusive use of electronic information dehumanises what is a very, very important part of community life and living together.
Sometimes your body language is enough for an actor to know that you're not happy. And you don't really need to say it out loud if you deal with actors you know very well. And I don't think you really need to be explicit.
I was a mime. I'm not kidding. I went to Northwestern University and they have a mime company, so we did a lot of training and then a lot of mime shows around Chicago.
I was a mime. Im not kidding. I went to Northwestern University and they have a mime company, so we did a lot of training and then a lot of mime shows around Chicago.
Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.
This world is changing enormously. In any position in a company you need to work very hard on learning new skills every day, but you also need to unlearn some of the old skills from the past.
We have this myth that if you work hard, you can accomplish anything. It's not a very American thing to say, but I don't think that's true. It's true for a lot of people, but you need other things to succeed. You need luck, you need opportunity, and you need the life skills to recognize what an opportunity is.
Lying is the misuse of language. We know that. We need to remember that it works the other way round too. Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer's first duty is to use language well.
Morse stared morosely at the blotting paper. "It's just not my sort of case, Lewis. I know it's not a very nice thing to say, but I just get on better when we've got a body - a body that died from unnatural causes. That's all I ask. And we haven't got a body.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
You get to say, 'Here's my philosophical idea about what the costume should like,' and the costume designer comes and gives you choices and sometimes they're all good, and I say, 'What do you think?' and they pick the right thing.
Body language is so important, as is composition. You can not say something, and then the body reacts, and it says a lot of things dialogue can also say.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
This might disappoint you somewhat, but I have to say my interest in Tolkien has faded dramatically over the years. His language skills are amazing, his story good and fascinating, but... he has a very Judeo-Christian perspective, and his use of mythical creatures is very... ignorant.
Anorexia was my attempt to have control over my body and manipulate my body and starve my body and shape my body. It was not a very good relationship. It was the sort of relationship my father had to my body. It was a tyrannical, "you'll do what I tell you" relationship.
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