A Quote by Washed Out

For the most part, the real work is done in the songwriting stage and recording; the next step is presenting to people. — © Washed Out
For the most part, the real work is done in the songwriting stage and recording; the next step is presenting to people.
I write one step at a time, always finishing off the part I'm working on before even thinking about the next part. I need to hear it all together before deciding what goes next. I even mix before moving on...in other words, I write by recording.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
The most lucrative work I have done is presenting primetime TV shows. I do not know what other people earn but a six-figure salary is not uncommon.
An interesting difference between new and experienced stage managers is that the new stage manager thinks of running the show as the most difficult and most demanding part of the job, whereas the experienced stage manager thinks of it as the most relaxing part. Perhaps the reason is that experienced stage managers have built up work habits that make then so thoroughly prepared for the production phase that they [can] sit back during performances to watch that preparation pay off.
I love songwriting ! It's my Number One passion other than performing. Well, actually it's like wearing three different hats: songwriting, recording and performing. They're all completely different and draw on different types of skills. With recording, there are so many different phases of production, and you have to be very careful because you can polish it until it doesn't shine.
I was presenting the Baftas live on BBC1, and as I skipped down the steps on to the stage at the start, I felt my heel clip the edge of the last step. Fortunately there was just a stumble, but one centimetre more and that could have been the most dramatic entrance of any awards host.
I enjoy recording and performing, but it's the songwriting that I love most.
I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
On the golf course, playing cards, running to the casinos, betting on college and pro football, it keeps spilling over to the next step, the next step, the next step. I basically started giving people information that I was receiving in the locker room, injury reports.
I feel it's important, in presenting a work of art, that everything ends up serving a purpose. There are all these variables involved - large and small, obvious and ephemeral - and each has the potential to become an active, considered part of the work. So my goal is simply to approach each step as an opportunity to produce work that carries visual weight but retains this sense of openness and possibility.
What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh...Songwriting is best. It's the hardest-finest-tightest. It also requires the most discipline.
I've done quite a few adverts. I've also done some presenting and acting work in Spain. I did a lot of Spanish education videos for people wanting to learn English.
Of the best rulers, The people only know that they exist; the next best they love and praise the next they fear; and the next they revile. When they do not command the people's faith, some will lose faith in them, and then they resort to oaths! But of the best when their task is accomplished, their work done, the people all remark, We have done it ourselves.
This work of connecting our light to the world does not need to be done through a mass movement, or by millions of people. . . .The real work is always done by a small number of individuals. What matters is the level of participation: whether we dare to make a real commitment to the work of the soul.
I've always been somewhat uncomfortable on the stage, and I've always felt like physically having to negotiate my own presence as a part of presenting work has always been a source of angst for me.
To lead people, walk beside them ... As for the best leaders, the people do not notice their existence. The next best, the people honor and praise. The next, the people fear; and the next, the people hate ... When the best leader's work is done the people say, 'We did it ourselves!
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