A Quote by Washed Out

The way I work is by infinitely playing a very simple loop over and over, and then I start layering things. — © Washed Out
The way I work is by infinitely playing a very simple loop over and over, and then I start layering things.
The way I work is I'll basically become kind of fixated on a very stripped-down genre, like revenge or something like that, and just start layering on top of that and entering in thoughts and ideas, and then the story just kind of builds up that way.
There is something very cyclical about the way fashion designers work. They work and work and work, the collection is finally shown, and after those 15 minutes, they must start over from the beginning. This is not unlike the way I work creating new dances.
I grew up writing songs in my room on GarageBand, and I would make the beats just out of layering my vocals over and over again. Very Imogen Heap-inspired.
When women start to bond over their sexuality, it's very similar to the way that men bond over their sexuality in sports. Men bond over their sexual prowess - their strength, their agility, their power. Women bond over their undulation, their curves, their sensuality - things that are innately feminine. Once you do that, there is no turning back.
People repeat behaviour that leads to flooding their brains with pleasurable chemicals. The short-term reward loop acts over hours to years, and the long-term reproductive success loop over generations.
I normally start at the computer with something really simple like a four-bar loop of a drum sample or a bass line. And then I just start adding layers of synthesizers.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
You need the willingness to fail all the time. You have to generate many ideas and then you have to work very hard only to discover that they don’t work. And you keep doing that over and over until you find one that does work.
Have I a secret about playing the piano? It's a very simple one. I sit down on the piano stool and make myself comfortable - and I always make sure that the lid over the keyboard is open before I start to play.
It might have been introduced slowly over the course of the years as you recall this memory over and over. So that was a very cool but complex idea that we thought about representing in the film but could not find a way to make it work.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
I know I have a very unusual style of playing, where other more recognized and technically proficient players might look at me and wonder what the heck I'm doing. The purpose of my learning to play the way I do was more to accompany my singing. I figured out a style where I'm mentally playing the drums over a simple melody.
Value investing doesn't always work. The market doesn't always agree with you. Over time, value is roughly the way the market prices stocks, but over the short term, which sometimes can be as long as two or three years, there are periods when it doesn't work. And that is a very good thing. The fact that our value approach doesn't work over periods of time is precisely the reason why it continues to work over the long term.
You might think of a haunting as a loop of video or audio tape playing itself over and over for you to watch. Trying to interact with it would be akin to trying to interact with a show on your TV: sure, you can turn it off or change the channel, but I wouldn't expect the actors to suddenly stop and talk to you directly.
If I had to write a rough draft, all the way through and then go back and start over, I probably would just stop writing. I wouldn't find that interesting. I would feel that I had committed so many things to the paper that I couldn't easily undo because one thing leads to the next, the interconnectedness, the sequences would make it very hard to change something that simply didn't work.
The way a child discovers the world constantly replicates the way science began. You start to notice what's around you, and you get very curious about how things work. How things interrelate. It's as simple as seeing a bug that intrigues you. You want to know where it goes at night; who its friends are; what it eats.
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