A Quote by Washed Out
The entire making of 'Within and Without' was a series of experiments and trial by error. When I started writing, I didn't have a strong idea of what the record was going to end up like.
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I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
Sometimes, we find what we want by also finding out what you don't want. All of that is trial and error. Once you're in that pit, the trial and error is important. It's up to us; we've got to keep moving forward.
I started writing when I was around 6. I say 'writing,' but it was really just making up stuff! I started writing and doing my own thing. I didn't really know what a demo was or anything like that, so I started getting interested in studio gear and started learning about one instrument at a time. My first instrument was an accordion.
I got better the way everyone gets better: by trial and error and error and error, by fumbling around and making mistakes but not giving up and working incredibly hard at it every day and eventually, through a painful and laborious process of eliminating every wrong turn, finding my way.
Ideas do not always come in a flash but by diligent trial-and-error experiments that take time and thought.
Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
'Victory Lap,' even the title. It's the accumulation of trial and error; that's what I represent; trial and error.
I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.
We leave Scarlet Witch without a home, without a family, and she ends up creating a surrogate family within the Avengers and making a decision to be a part of the team. I think a lot of that has to do with what Jeremy's character - like his attitude towards her and the speech he gives her at the end of the film. So we pick up with her having started a new life, but still trying to figure out what her abilities are and if using them causes greater good or greater damage.
Wexford started off as a very conventional, tough cop and not a very original character because I had no idea I was writing a series, of course. I had no idea I'd created a series character.
If you have any idea for a poem, an exact grid of intent, you are on the wrong path, a dead-end alley, at the top of a cliff you haven't even climbed. This is a lesson that can only be learned by trial and error.
In my early career, I look at that time as a series of trial and error and learning as I go.
What intrigues basic scientists like me is that anytime we do a series of experiments, there are going to be three or four new questions that come up when you think you've answered one.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
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