A Quote by Washington Irving
Every antique farm-house and moss-grown cottage is a picture.
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Every farm with slaves was a slave-breeding farm. Raising slaves was mostly a cottage industry.
We moved to South Central Iowa to the farm where my dad had grown up, where my grandfather had grown up. The house was actually, it was a tiny little house. It was about 600 square feet and it was built by my great-grandfather. And that's the house I spent time in as a child.
The most insistent and formidable concern of agriculture, wherever it is taken seriously, is the distinct individuality of every farm, every field on every farm, every farm family, and every creature on every farm.
Turn right up ahead," he directed. "It'll take us directly to my cottage." She did as he asked. "Does your cottage have a name?" "My Cottage." "I might have known," she muttered. He smirked. Quite a feat, in her opinion, since he looked sick as a dog. "I'm not kidding," he said. Sure enough, in another minute they pulled up in front of an elegant country house, complete with a small, unobtrusive sign in front reading, MY COTTAGE
Our house was destroyed in 1943, and I moved the family to a cottage I owned before the war in the Bavarian Alps. This cottage was meant for a very few people, and at the end of the war, there were about 13 people in this very small house.
Moss is inconceivably strong. Moss eats stone; scarcely anything, in return, eats moss. Moss dines upon boulders, slowly but devastatingly, in a meal that lasts for centuries. Given enough time, a colony of moss can turn a cliff into gravel, and turn that gravel into topsoil.
Antique things have an appreciation and worth. Something can be old, but it can be timeless; therefore, it becomes an antique. If this antique is preserved and deemed precious, it could be passed down as a family heirloom.
The firmest house in my fiction, probably, is the little thick-walled sandstone farmhouse of 'The Centaur' and 'Of the Farm'; I had lived in that house, and can visualize every floorboard and bit of worn molding.
The snow has left the cottage top;
The thatch moss grows in brighter green;
And eaves in quick succession drop,
Where grinning icicles have been,
Pit-patting with a pleasant noise
In tubs set by the cottage door;
While duck and geese, with happy joys,
Plunge in the yard pond brimming over.
The sun peeps through the window pane:
Which children mark with laughing eye,
And in the wet street steal again
To tell each other spring is night.
There is an old guest house opposite my house, and grandsons visit from time to time from the U.S., every time grown up a little. I don't know whether the same grandchildren come every time or it is someone else.
Every writer dreams of having a backyard cottage, similar to Dahl's 'writing hut.' English cottages and charming huts might seem out of reach, but a good carpenter could build a modest cottage on the cheap.
My desk is an antique with bookshelves built into the side. I've turned the drawer over to hold a keyboard. We live in a 100-year-old house, and I work in an apartment above the carriage house.
She dismounted, grabbed Enna's hand so tightly that she drew blood with her fingernails, walked straight into the nearest cottage, and plopped down on a bed. Enna nodded to the startled cottage dwellers. It's the queen, you see," said Enna. "She's going to have a baby in your house. You don't mind?
It would be a fine thing if ... parents would have in every bedroom in their house a picture of the temple so [their children] from the time [they are] infant[s] could look at the picture every day [until] it becomes a part of [their lives]. When [they reach] the age that [they need] to make [the] very important decision [concerning going to the temple], it will have already been made.
In every forest, on every farm, in every orchard on earth, it's what's under the ground that creates what's above the ground. That's why placing your attention on the fruits that you have already grown is futile. You cannot change the fruits that are already hanging on the tree. You can, however, change tomorrow's fruits. But to do so, you will have to dig below the ground and strengthen the roots.
A house with any kind of age will have dozens of stories to tell. I suppose if a novelist could live long enough, one could base an entire oeuvre on the lives that weave in and out of an antique house.
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