A Quote by Wassily Kandinsky
Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.
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Every single color has a base to it. You can have a taupe that has a green undertone, a taupe that has a gray undertone.
Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
Assuredly men of merit are never lacking at any time, for those are the men who manage affairs, and it is affairs that produce the men. I have never searched, and I have always found under my hand the men who have served me, and for the most part I have been well served.
The most complete seems lacking. Yet in use it is not exhausted.
It is a true observation of ancient writers, that as men are apt to be cast down by adversity, so they, are easily satiated with prosperity, and that joy and grief produce the same effects. For whenever men are not obliged by necessity to fight they fight from ambition, which is so powerful a passion in the human breast that however high we reach we are never satisfied.
Domestic work, is, after all, both tedious and repetitive, and it is not surprising that most women and all men avoid as much of it as possible.
The absolute favorite part of Comic-Con is seeing like a Mass Effect guy hanging out with a Sailor Moon, and they're just having a great time. Nerds, we love what we love with a passion and sometimes it's an angry passion, and to see that all sort of bleed out and everybody just connect.
When the tongue or the pen is let loose in a frenzy of passion, it is the man, and not the subject, that becomes exhausted.
The leaf, still green, must someday fall such grief and joy to live at all.
My beloved husband goes through radiation, and a book of sonnets is my passionate response. And then after he dies, I write another book of poems as a farewell. The two keywords here are passion and joy. I simply have a passion for writing, and I do it with joy.
The most reliable joy is to be out of doors, to be a creature among other creatures. I find it very restful.
Propose a new concept, most people especially acquaintances will outrightly reject it on knowing that it's from an ordinary person; but when the same becomes the popular subject, none will ever reflect to accept that they once used to object to the very same idea's beneficial effect.
I've never been one for color theory or color wheels or undertone rules or anything like that. I don't know if my red lipstick 'should' be more blue or more orange.
Bliss - a-second-by-second joy and gratitude at the gift of being alive, conscious - lies on the other side of crushing, crushing boredom. Pay close attention to the most tedious thing you can find (Tax Returns, Televised Golf) and, in waves, a boredom like you’ve never known will wash over you and just about kill you. Ride these out, and it’s like stepping from black and white into color. Like water after days in the desert. Instant bliss in every atom.
I now know all shades of the color green, having spent 90 days staring at that green screen. I'll never forget that color, as long as I live.
Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as it should be. But no man is perpetually in a passion and those states in which he is amused and amusing, detached and irreverent, if less important, are no less amusing. If there were no poets who, like Byron, express these states, Poetry would lack something.
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