A Quote by Wassily Kandinsky
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with base notes, or dark lake with the treble.
Related Quotes
The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble.
Before, I would just only stick to a few certain colors that were considered good for my skin tone and good for my hair. But ever since 'Stranger Things,' the wardrobe people there, they would always stick me in these super bright colors. I discovered all these new colors that I just like wearing.
In the first two years of my career, there were a lot of restraints on what I could do. I couldn't wear certain colors of lipstick, like bright pink, dark pink or red; [my lips] had to be natural. Eventually, I stopped communicating with certain people at the label, and did exactly what I wanted to do. And that was to cut my hair, dye it black, change my clothes, change my sound. Really to just express myself.
Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?
Fame stole my yellow. Yellow is the color you get when you're real and brutally honest. Yellow is with my kids[...]The bundle of bright yellow warming my core, formerly frozen and uninhabitable[...]They got yellow from me, and I felt yellow giving it to them and it was all good[...]So, why am I leaving my show? It took my yellow. I wanted it back. Without it I can't live. The gray kills me.
And I don't care what else anyone has ever told you, the Sun is white, not yellow. Human color perception is a complicated business, but if the Sun were yellow, like a yellow lightbulb, then white stuff such as snow would reflect this light and appear yellow-a snow condition confirmed to happen only near fire hydrants.
I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
Being a brown girl, I like to wear colors that are similar to my skin tone, so I wear a lot of dark colors - never anything that's too bright.
The Igbo used to say that they built their own gods. They would come together as a community, and they would express a wish. And their wish would then be brought to a priest, who would find a ritual object, and the appropriate sacrifices would be made, and the shrine would be built for the god.
Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly.
Every so often I would look at my women friends who were happily married and didn't cook, and I would always find myself wondering how they did it. Would anyone love me if I couldn't cook? I always thought cooking was part of the package: Step right up, it's Rachel Samstat, she's bright, she's funny and she can cook!
Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective.
It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.
She imagined herself both queen and slave, dominatrix and victim. In her imagination she was making love with men of all skin colors--white, black, yellow--with homosexuals and beggars. She was anyone's, and anyone could do anything to her. She had one, two, three orgasms, one after another. She imagined everything she had never imagined before, and she gave herself to all that was most base and most pure.
If you're going into a very dark place, then you should take a bright light, and shine it on everything. If you don't want to see, why in God's name would you dare the dark at all?
I would ask to tweak stuff during the action, because I thought Elektra would more likely express herself with a slap, for example. I wanted to keep the characteristics of my character even during the fights and express the violence as she would do it, not like somebody else would.
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