A Quote by Wassily Kandinsky
How can German music not be represented by an article?
Related Quotes
By an application of the theory of relativity to the taste of readers, today in Germany I am called a German man of science, and in England I am represented as a Swiss Jew. If I come to be represented as a bête noire, the descriptions will be reversed, and I shall become a Swiss Jew for the Germans and a German man of science for the English!
Einstein was attending a music salon in Germany before the second world war, with the violinist S. Suzuki. Two Japanese women played a German piece of music and a woman in the audience exclaimed: "How wonderful! It sounds so German!" Einstein responded: "Madam, people are all the same."
There is something very powerful about German music. That's why I chose German music with a European meaning for the day of my election.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
You can say, 'Well, isn't it unfortunate that chaos is represented by the feminine' - well, it might be unfortunate, but it doesn't matter, because that is how it's represented. It's been represented like that forever. And there are reasons for it. You can't change it. It's not possible. This is underneath everything.
The full history of the interlocking participation of the Imperial German Government and international finance in the destruction of the Russian Empire is not yet written...It is not a mere coincidence that at the notorious meeting held at Stockholm in 1916, between the former Russian Minister of the Interior, Protopopoff, and the German Agents, the German Foreign Office was represented by Mr. Warburg, whose two brothers were members of the international banking firm, Kuhn, Loeb and Company, of which the late Mr. Jacob Schiff was a senior member.
In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.
I was curious and hungry at a young age, and jazz was such a mystery to me, an ocean where you can express yourself in the moment. It represented freedom, it represented wearing wings and going somewhere with music.
'Fast Food Nation' appeared as an article in 'Rolling Stone' before it was a book, so I was extending it from the article, and by that time, everyone could read the article.
I spoke with Gerhard Schröder about a lot of things, including foreign policy. Schröder knows how important European policy is to me personally. I have worked together with Angela Merkel on European policy for many years, so I was surprised when Volker Kauder who has little experience in European policy, claimed that I had not represented German interests in Europe. That's an example of how the conservatives conduct an election campaign.
what is a german? to say a man is a german, what is that? does it tell you if he is a good man? or a bad man? no, my friend, it tells you nothing about a man to say he is german. a man must think what he is inside. what he is on the outside, how can this matter?
I was kind of amazed because I first found out about blue boxes in an article in Esquire magazine labeled fiction. That article was the most truthful article I've ever read in my life... That article was so truthful, and it told about a mistake in the phone company that let you dial phone calls anywhere in the world. What an amazing thing to discover.
There's a continuity between what I care about in any form: I care about it in my music, in article-writing, in how I dress, in how I live, in my relationships, in how I navigate paparazzi, how I decorate my home. There's such a continuity between everything that I don't really care what form it shows up in.
Some people read an interesting or provocative newspaper article, and that's the end of that. A writer reads such an article, and her imagination gets fired up. Questions occur to her. She might feel an urge to finish the story that the article suggests.
I think if you don't be proactive about how you want your music to be visually represented, I think other people will do it for you.
German is more familiar now since I live part of the year in Rome and part in the German part of Switzerland. But it's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.
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