A Quote by Waylon Jennings
When I look at you girl, I see a true work of art. So many beautiful things coming in one little heart.
Related Quotes
Look not at the face, young girl, look at the heart. The heart of a handsome young man is often deformed. There are hearts in which love does not keep. Young girl, the pine is not beautiful; it is not beautiful like the poplar, but it keeps its foliage in winter.
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
Having a daughter makes you see things in a different way. You have to see how you're carrying yourself because there's a little girl. There's not a little boy, there's a little girl. I think I'm a little more overprotective.
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
It's true that things are beautiful when they work. Art is function.
What makes art Christian art? Is it simply Christian artists painting biblical subjects like Jeremiah? Or, by attaching a halo, does that suddenly make something Christian art? Must the artist’s subject be religious to be Christian? I don’t think so. There is a certain sense in which art is its own justification. If art is good art, if it is true art, if it is beautiful art, then it is bearing witness to the Author of the good, the true, and the beautiful
I look around the world and see so many wonderful things that I love and enjoy and benefit from, whether it's art or music or clothing or food and all the rest. And I'd like to add a little to that goodness.
The Japanese are virtuosos. They make just the little accent that makes all the difference. So much there is so beautiful - just a shop window display is a work of art. Just the way they make all kinds of things out of bamboo that are so ingenious. Just the way this little bamboo drain or latch is so beautiful. The masonry around the streams to hold the bank are beautiful - and not all one kind and not just cement.
I'm afraid of the dark because I picture things; I see things. I'm a freak. I see, like, little demons coming out of the floor and other little things running around. It's scary.
The reporting is fake. Look, look...You know what it is? Here's the thing. The public isn't - you know, they read newspapers, they see television, they watch. They don't know if it's true or false because they're not involved.But I'm involved. So I know when you're telling the truth or when you're not. I just see many, many untruthful things.
True delicacy, that most beautiful heart-leaf of humanity, exhibits itself most significantly in little things.
If you look at the world with parted lips and a pure heart, and will the good, won't that make a true and beautiful poem? One's heart tells one that it will; and one's heart is wrong. There is no direct road to Parnassus.
Even if you have the wit to look by yourself in a bush away from the other children, there are not many bell crickets in the world. Probably you will find a girl like a grasshopper whom you think is a bell cricket.And finally, to your clouded, wounded heart, even a true bell cricket will seem like a grasshopper. Should that day come, when it seems to you that the world is only full of grasshoppers, I will think it a pity that you have no way to remember tonight's play of light, when your name was written in green by your beautiful lantern on a girl's breast.
Part of the reason might be that I was born in 1954 and I look upon my youth with great fondness, like many old men. And, though my work doesn't focus much on good things, I see that period as America's heyday. True, we had many problems, like racism and Vietnam, but we still weren't quite as nuts as we seem to be now.
To have beautiful lips, say beautiful things. To have beautiful eyes, look at people and see the good in them.
What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
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