A Quote by Wayne Brady

I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage. — © Wayne Brady
I'm an actor first and foremost, who happens to do improv. I've also done sitcoms, I've done stage.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
My mother and father raised their eyebrows at first when I said I wanted to be an actor because I was in this industrial city. My dad had done a bit of boxing on the side, but he was a welder first and foremost. I was 17, and I said, 'I want to be an actor.' They worried it was a waste of time.
Before I even pick up a guitar, usually the words are done. So I'm not first and foremost a musician. I'm first and foremost a writer.
I return to the stage first and foremost because I'm an actor, and I love it.
I also have learned as an actor, this ties in the principles of improv, sometimes someone gives a piece of instruction and my first reaction is "I don't want to do that." I've always learned that every time I just say yes and go for it something happens. Whether it's what the intent of the direction was or not or something new happens. It's just remaining open to other people's ideas.
I'd never been to Africa. This really was my first film [The Lost World]. I'd done 10 years of stage. I'd done a little bit of television. But this was my first film.
The new environment dictates two rules: first, everything happens faster; second, anything that can be done will be done, if not by you, then by someone else, somewhere.
At first people refuse to believe that a strange new thing can be done, then they begin to hope it can be done, then they see it can be done--then it is done and all the world wonders why it was not done centuries ago.
I guess, yeah. I've always loved improv. It's my thing. I really like it, but I also think it has to be done well.
I think the improv also helps with the imagination of dealing this person across from me who's not physically there. When you do an improv scene, you're usually working on a blank stage and creating the props and creating the environment.
To this day, to this very day, except for television, I've never had a writer. Anything I've ever done on the stage, happened on the stage and I developed it from there. It started doing impressions and jokes - which I did very poorly. To this day I can't tell a joke. That sounds nuts, but it's true. I exaggerate it and it becomes a joke. Everything I've ever done I've done out on the stage and it became a performance over many many years.
I think if you're an actor, then you can work on stage - but if you've never done it before, you're going to have picked up a few things that you're going to need to change when you're working on stage.
I'm an actor first and foremost. But I've also started an organization, Broadway Impact, that advocates for marriage equality. I'm an actorvist.
I condition myself to believe that once the scene is done, once the movie is done, my job is done, and whatever happens after that is none of my business.
I know how to have a conversation, but I've never done improv. I've never taken improv classes.
I think what's different about working on stage is that you have another chance to portray it again. If you don't get something right on film, you can do another take, but on stage, once it's done, it's done. You can't go back.
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