A Quote by Wayne Coyne
I remember when my father was dying, I remember listening to Bjork, and listening to John Coltrane, and these things, and I don't know why but music has the power to transcend your physical being and take you up just a little bit.
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I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I've been listening to a lot of John Coltrane. I don't know if that would or wouldn't surprise anybody. I go through different phases - sometimes I want to listen to music that's just pummeling.
I remember listening to Cube's music when I was like 14 years old, my friends listening to it up in Toronto.
Music has the power to transcend your physical being and take you up. Because music has a metaphysical quality it really makes your life beautiful.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
I go through periods listening to specific types of music. Because I'm a musician, listening to music is... it's a bit like work for me. A little bit.
Listening is not merely hearing, it is receiving the message that is being sent to you. Listening is reacting. Listening is being affected by what you hear. Listening is letting it land before you react. Listening is letting your reaction make a difference. Listening is active.
As a kid growing up in a lower-class neighbourhood, where everyone around me was listening to hip hop, what was I doing listening to new wave, and why was that my favourite music? I don't know why, but it just spoke to me.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
I grew up listening to John Coltrane and jazz, so they were subtle influences. I sometimes think about doing some kind of weird jazz record, but I don't know... It's on my list of things to do. I don't want to have to then go promote it.
I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.
I could always see myself being a teacher. I remember sitting in class as a kid, listening to the teacher and thinking, you know, I'm pretty sure I could explain that a little bit better.
I remember those moments in my life when the tape came out on that Tuesday, and I went to Sam Goody to cop it. And sitting and listening to it. In awe of the music I was listening to, but also imagining this music at the hip-hop clubs and with the homies in the car.
Become better listeners. Practice the art of listening in everything you do. Not just listening to yourself and your body, but listening to the people around you, listening to the plant world, the animal world. Really open your ears to what's coming at you. From there, see if you can have the ability to respond instead of react. And that usually comes with listening. If the observation and the listening are deep, then your action will be deep also.
I can remember being a young kid, twelve, thirteen years old just with my headphones on, on the train, listening to rappers paint these vivid pictures. Listening to Mobb Deep and feeling like I was in Queensbridge even though I'm on the Southside of Chicago.
It's stupid, I know, but I care. All the things that meant so much when we were young. Under the blankets late at night, listening to long-distance radio. All those things lost now or broken. Can you remember? Can you remember that feeling? Perhaps I ought to go to a doctor.
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