A Quote by Wayne Dyer
Begin with the end in mind. Start with the end outcome and work backwards to make your dream possible.
Related Quotes
Sometimes I'll have an end in mind, but it's always false, always corny, just a dumb idea anyone could have, sitting on a barstool. An abstract thesis with no real life inside it. And then I start writing and the writing itself confounds me, taking away the comfort of knowing the end in advance. How is that even possible? Doesn't the conclusion come at the end? How can you begin with one - that seems odd, right?
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
Where does the body end and the mind begin? Where does the mind end and the spirit begin? They cannot be divided as they are inter-related and but different aspects of the same all-pervading divine consciousness.
When clients are involved in a crisis, we often start at the end. When this is over, where do you want to end up? What's your endgame? We try to start from that and work ourselves back.
What I wonder most about the Anthropocene is not when did it start - but when, and how, will it end? Will it end? Or is it possible that our own growing awareness of our role on Earth can itself play a pivotal role in shaping the outcome toward one that we would desire?
Dream up big, hairy, audacious goals that you are passionate about and pursue them relentlessly. You have to begin with the end goal in mind, knowing that a goal is a dream with a deadline.
People talking about politics usually start from the ass end backwards in that they think you have a political agenda, and then you make your work fit that cookie cutter. It's the other way around. One works by simple observation, looking into things. It's usually called insight and out of that comes your view - not that you have the view first and then squash everything to make it fit. I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view.
To begin with the end in mind means to start with a clear understanding of your destination. It means to know where you're going so that you better understand where you are now and so that the steps you take are always in the right direction.
I don't plot the books out ahead of time, I don't plan them. I don't begin at the beginning and end at the end. I don't work with an outline and I don't work in a straight line.
Everyone will always have ideas about how to make your work better. Everyone has advice about how to end your play differently. Start it differently. And it's not about right or wrong. At the end of the day, it's your baby, and you know what's best.
On the Sabbath day, we are remembering that my relationship with God did not begin with what I've done, it is not sustained by what I do, and it is not guaranteed to the end by my effort or work. I'm saved from beginning to end by Jesus' work.
I don't want to think results, I don't want to think positions. I just want to come in, do my job, and we'll see where we end up. I think that's the best way to look at it, because then you start focusing on the outcome rather than focusing on the work that it takes to get to that outcome.
If you are 25, 30, 35, you need to think you can learn every day. If not, you are going to go backwards, and of course you are going to fail, and you begin to see the end of your career.
We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
I never start a song at the beginning; I always start in the middle, working with the original concept. That might be a loop or a vocal hook. A weird noise or a string sample. Once that's at the heart of the song, I work concertina-fashion, expanding the song forwards to the end and backwards to the beginning.
When you start off acting, it does seem very romantic, and the make-believe part of it all seems very exciting. It's only later that you begin to realize how fascinating the work is - that it's a bottomless pit, and you never get to the end of it.
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