A Quote by Wayne Dyer
From a hologrammatic viewpoint, ...you are one little physical image that reflects all of humanity when projected spiritually upon the cosmic screen.
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In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.
'2001' used a lot of what's called 'front projection.' You project an image onto this giant reflective screen, and the image bounces back and comes back to the lens and seems to be in the background behind the actors. The whole 'dawn of man' sequence in '2001' was projected eight-by-ten photographs of the African savannah.
If your starting point for understanding humanity is a racialist viewpoint, with superiority and inferiority projected onto people because of the color of their skin, then it's so easy to take the next step of justifying that point theologically and reading it into the Christian scripture. And that makes it harder to understand what scripture is actually saying!
Film is a game of projections upon projections, and the projected image on the screen is a game of light and shadows. There is nothing there; it is the brain that is decoding those things. The film doesn't have any decipherable kind of meaning if it's not seen.
On the other hand, I view the whole matter from a cosmic perspective. I don't take a position. I believe that there are no more positions to take, no certainties, no facts. Many people find this confusing about my films; they say I am hiding out behind irony. But from a cosmic viewpoint, it is eternally unimportant whether one lives or not.
Be warned! From Satan's viewpoint you are a pawn in his game of cosmic chess.
Let's be honest. You let yourself be pulled in because it felt good to be wanted, needed. But then it went too far, as projected images always do. If it's not a real image, but one that has been projected on to you, then you can keep up the masquerade for only so long before the mask cracks and the paint on the mask peels away.
Science appears to us with a very different aspect after we have found out that it is not in lecture rooms only, and by means of the electric light projected on a screen, that we may witness physical phenomena, but that we may find illustrations of the highest doctrines of science in games and gymnastics, in travelling by land and by water, in storms of the air and of the sea, and wherever there is matter in motion.
The image of Ireland is projected as a male image in the acting world, similar to the way that the word of Ireland is male dominated.
As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.
That is a cosmic perspective, that's correct. And in tandem with that, you will never find people who truly grasp the cosmic perspective such as the entire community of astrophysicists leading nations into battle. No, that doesn't happen. When you have a cosmic perspective, there's this little speck called Earth and you say you're going to do what? You're on this side of a line in the sand and you want to kill people for what?
The whole world is simply my story, projected back to me on the screen of my own perception. All of it.
We live in a screen age, and to say to a kid, ‘I’d love for you to look at a book but I hate it when you look at the screen’ is just bizarre. It reflects our own prejudices and comfort zone. It’s nothing but fear of change, of being left out.
[Alfred] Hitchcock was very interested in the image on the screen.As is any good cinema director. That is the language they speak. It is not literature, it is images on screen.
I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect
I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect.
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